Featured Archives - Page 170 of 252

“This Is Modern Art”: A Scatterplot

Posted by Rachel E. Diken | 23rd Jun 2018 | Chicago, New York, Review, Theatre and Art, United States of America

This Is Modern Art, originally commissioned by Chicago’s Steppenwolf Theater, makes its New York...

“Heirloom Toys” Gives Fringe-Goers A Day Out At The Circus

Posted by Ryan Pepper | 23rd Jun 2018 | Canada, Festivals, Review, Theatre and Dance, Theatre for Young Audiences

Heirloom Toys Circus is an exciting piece of circus, physical theatre, and impressive acrobatics...

New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children

Posted by Trevor Boffone | 22nd Jun 2018 | Festivals, Musical Theatre, New York, News, Theatre for Young Audiences, United States of America

When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...

Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York

Posted by Donald Brown | 22nd Jun 2018 | New York, Review, Theatre and Politics, Translation, United States of America

Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...

Metropolis Visits “Avenue Q” In Female-Led Production

Posted by Kristin Tomecek | 22nd Jun 2018 | Chicago, LGBTQ+ Theatre, Musical Theatre, Review, United States of America

Memory lane took on the form of a shabby New York City block dubbed “Avenue Q” for...

“Les Miserables”: A Great Theatrical Dream

Posted by Lorena Meeser | 22nd Jun 2018 | Mexico, Musical Theatre, Review

Fifteen years after the premiere of the Mexican theatrical mise-en-scène of Les Miserables, it...

Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach

Posted by Hilary Halba | 21st Jun 2018 | Acting, Essay, New Zealand, United States of America

After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...

Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women

Posted by Willow White | 21st Jun 2018 | Canada, Review, Theatre and Gender

Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...

Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form

Posted by Katrina Holden-Buckley | 21st Jun 2018 | Boston, Interview, Theatre and Opera, United States of America

This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...

“…Like Nobody’s Watching” Tackles Loneliness And A Bad Tom Hanks Obsession

Posted by Ryan Pepper | 20th Jun 2018 | Canada, Festivals, Review

Some dramatists create love letters to the things they admire. …like nobody’s watching doesn’t...

“Monogamy” at The Park Theatre

Posted by Aleks Sierz | 20th Jun 2018 | London, Review, United Kingdom

Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the...

REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”

Posted by Hayley Malouin | 20th Jun 2018 | Canada, Review

Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...

Review: “An Ideal Husband” At The Stratford Festival

Posted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Review

‘Tis a puzzlement, these plays of Oscar Wilde. They require audiences to pay careful attention as...

Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees

Posted by Ian Marland | 20th Jun 2018 | Festivals, Jordan, News, Scotland, Syria, Transcultural Collaborations

A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...

Review: “The Music Man” At The Stratford Festival

Posted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Musical Theatre, Review

Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...

MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre

Posted by Soha Elsirgany | 19th Jun 2018 | Egypt, News, Theatre and Dance

The program also featured two performances from Karima Mansour. Between May 10 and 15, Falaki...

Review: “Long Day’s Journey Into Night” At The Stratford Festival

Posted by Joe Szekeres | 19th Jun 2018 | Canada, Festivals, Review

Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...

When The Cultural Cringe Abated: Australian Drama In The 1970s

Posted by Julian Meyrick | 19th Jun 2018 | Australia, Essay, Playwriting

In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...

Review: “To Kill A Mockingbird” At The Stratford Festival

Posted by Joe Szekeres | 18th Jun 2018 | Canada, Festivals, Review

Even after having taught this American classic to high school students for over thirty years, I...

The Glorious Anger Of “Leda And The Rage”

Posted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender

Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...

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Featured

“This Is Modern Art”: A Scatterplot

“Heirloom Toys” Gives Fringe-Goers A Day Out At The Circus

New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children

Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York

Metropolis Visits “Avenue Q” In Female-Led Production

“Les Miserables”: A Great Theatrical Dream

Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach

Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women

Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form

“…Like Nobody’s Watching” Tackles Loneliness And A Bad Tom Hanks Obsession

REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”

Review: “An Ideal Husband” At The Stratford Festival

Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees

Review: “The Music Man” At The Stratford Festival

MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre

Review: “Long Day’s Journey Into Night” At The Stratford Festival

When The Cultural Cringe Abated: Australian Drama In The 1970s

Review: “To Kill A Mockingbird” At The Stratford Festival

The Glorious Anger Of “Leda And The Rage”

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