Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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Hitchcock Meets Indian Film Noir
The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...
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Silence And Violence In “4’33” In Baghdad” (Montreal Fringe)
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
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The Shaw Festival Misfires With “The Baroness And The Pig”
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
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“Sa Wakas” – A Sugarfree-Inspired Rock Musical
Ina Abuan started off like any other big fan of Sugarfree, but when she was invited to co-author a...
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Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
Last week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
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The Playful Vitality Of Matter: “The Goldfish And The Inner Tube” Of Ruth Childs And Stéphane Vecchione
In the center of the stage, thirty-six deflated inner tubes are organized in six rows and six...
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Martin McDonagh’s “The Lieutenant Of Inishmore” At The Noël Coward Theatre
Actor Aidan Turner, who plays the Cornish land-owner Poldark in the hit BBC series of that name,...
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Contemporary Performing Arts In Portugal: An Overview Pt. 1
The last IETM plenary meeting in Portugal took place in Lisbon in 1998, with the city at the...
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“Carmen Jones”: A Classic Reborn
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
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Shopping, Coffee + A Spot Of Tragedy: Wasit Theatre Group Tackles The Toughest Topics On The Street of Iraq
Every Friday, locals in the city of Kut flock to what’s now known as “the Tigris street of...
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How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?
I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...
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Chekov Surfaces In The Okanagan In A Sterling Shaw Festival Premiere
Sarena Parmar’s new play, The Orchard, deserves to be met on its own quietly compelling terms....
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The Cirque Du Soleil Redefines Its Space And Becomes Contemporary Theatre!
Le Cirque du Soleil is back in Ottawa, this time with a show called Corteo already seen by 8...
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From Poet To Protagonist: Shedding Light On Mayakovsky’s Unknown Career As A Movie Star
Though Mayakovsky turns 125 this year, his words continue to resonate with our lives today....
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“What They Said” About Love”: A “Scientific” Exploration of Love
Very few subjects have arguably invoked the same amount of concentrated meditation and thought as...
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“This Is Step One” Is A Personal Plat For The #MeToo Era
An emotional storytelling solo show, This Is Step One tells a highly personal story of sexual...
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Critics Have A Duty To Look Beyond Appearance And Judge Performance. Otherwise They’re Just Creepy.
I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...
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“Fourteen” By Split Theatre: Getting Schooled
At front-of-house before the doors open, a crew member encourages the audience to walk around the...
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