Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Featured
Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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“Melancholia” Artfully Brings The End Of The World To The Stage
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Actor Cures Stroke After Setting Up Theater At Psychiatric Hospital
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
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For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
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Searching For The Homeland: Gerish Khemani And Akshat Nigam’s Play Explores Memory, Loss, Exile, And Roots
One of the great subcontinental migrations, and one that has arguably been slowly erased from...
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“African Gothic” Heads To The Joburg Theatre
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
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“Allelujah!” Bridge Theatre: A Sharp Injection Of Cynicism From Alan Bennett
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
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Virtual Reality In Polish Theatre
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
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Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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A Century Of Queer Performance With Serena Grasso
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
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Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
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“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
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I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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