Playing Nazim Hikmet, Always Fresh And Relevant
Turkish poet, playwright, and novelist Nazim Hikmet spent a life in exile condemning fascism, its...
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Laura Wade’s “Home, I’m Darling” At The National Theatre
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
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Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
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Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
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How Norwegians Do It (Play Ibsen, That Is)
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
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New Artistic Director Shakes Up The St. Lawerence Shakespeare Fest With A Season Of Love
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
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A Tribute to Winston Ntshona: A Pioneer of Storytelling and Activism in South Africa
A slim, well-thumbed paperback volume occupies a special place on my bookshelf. Its spine is torn...
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The Man Who Played With Fire
Cai Guoqiang is known for his explosive works, but the Chinese artist is now going back to his...
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“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
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“Nina’s Got News” – Edinburgh Fringe, Review: Frank Skinner’s Debut Play Is A Wasted Opportunity
It is 27 years since Frank Skinner won the Perrier Award in Edinburgh, setting him on the path to...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Drama In The World Of B-Graders: “Item” Explores Hindi Cinema’s Underbelly
The dark horse at this year’s Mahindra Excellence in Theatre Awards was the Natak Company’s Item,...
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Artscape Women Humanity Arts Festival 2018
This year marks the 12th edition of the Artscape Women’s Humanity Arts Festival (AWHAF) from July...
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Women Stories From Turkey
Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...
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Brian Friel’s “Aristocrats” At The Donmar Warehouse
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel’s...
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Art And Character, Or: I DO Care How We Go Down In History
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
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“Mischief”: A Dystopia Full Of Sound And Fury
The first thing drawing my attention before I watched the play was its title. Mischief reminded me...
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Traverse Theatre’s “What Girls Are Made Of,” Edinburgh, Review: An Irresistible Tale Of Britpop Fame And Misfortune
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
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