Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
Read MorePosted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
Read MorePosted by Adam Sherwin | 16th Sep 2018 | Acting, London, News, United Kingdom
LAMDA will offer actors special classes in voicing audiobooks to meet the surge in demand Budding...
Read MorePosted by Andrea Pelegri Kristić | 15th Sep 2018 | Essay, France, Theatre and Gender
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
Read MorePosted by Trevor Boffone | 15th Sep 2018 | Musical Theatre, Review, United States of America
I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...
Read MorePosted by Alvina Ruprecht | 14th Sep 2018 | Canada, Review
My colleagues have already expressed their admiration for this production and I can only agree...
Read MorePosted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia, United States of America
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
Read MorePosted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review
What is expected from theatrical adaptations of literature? Why have they become so popular...
Read MorePosted by Francis Wilker, Giselle Rodrigues, and Glauber Coradesqui | 13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
Read MorePosted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, LGBTQ+ Theatre, Review
Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...
Read MorePosted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, Review, Theatre and Gender
The world of political machinations took a precarious turn of events at the opening night...
Read MorePosted by Emily Jupp | 12th Sep 2018 | Festivals, Review, United Kingdom
Charley Miles’s brilliant debut play is as interwoven as the thorny bush of its title Blackthorn...
Read MorePosted by Joe Szekeres | 11th Sep 2018 | Canada, Festivals, Review
There’s a lot happening in Napoli Milionaria! and I found it beneficial to read as much of the...
Read MorePosted by Joe Szekeres | 10th Sep 2018 | Adaptation, Canada, Review
Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...
Read MorePosted by Athens-Epidaurus Festival | 10th Sep 2018 | Festivals, Greece, News
What is it about: Greece’s foremost cultural festival and one of the oldest performing arts...
Read MorePosted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review
At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...
Read MorePosted by Jamie Portman | 8th Sep 2018 | Canada, Review, Theatre and Age
Cloudburst, Toto Too Theatre’s latest offering is a funny, profane, warm-hearted play about the...
Read MorePosted by Sweta Akundi | 8th Sep 2018 | Essay, India, Theatre and Science
Start-ups Infinite Engineers and Vaayusastra jazz up science education with all the pizzazz of...
Read MorePosted by Gary Raymond | 7th Sep 2018 | Essay, Theatre and Politics, United Kingdom
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
Read MorePosted by Julia Secklehner | 7th Sep 2018 | News, Playwriting, Russia, Russian Theatre Abroad
New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
Read MorePosted by Aleks Sierz | 6th Sep 2018 | London, Review, Theatre and Politics, United Kingdom
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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