Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
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Mark Sonnenblick And “Midnight At The Never Get”
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
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“Fierce” Offers A Believable Portrayal Of Loneliness
Ultimately, we’re all orphans, aren’t we? Sure, we carve out a place in the world, cultivate...
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Robert Alan Evans’s “The Woods” at The Royal Court
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
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A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
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Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
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“A Kettle Of Fish” at The Yard Theatre
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
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“The Virgin Trial”: A Gritty Political Crime Drama
Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations...
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“Shirley Valentine:” A Double-Toned Comedy About Finding Oneself
At the 1000 Islands Playhouse in Gananoque, ON. As the final play of the season, British...
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“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
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Jo Clifford’s “Losing Venice” at The Orange Tree Theatre
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
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Who Doesn’t Love The Jester?
With their latest workshop, John Pradeep and his group reiterate that clowning is a serious art...
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The Expanding Notion Of Scenography And The Swiss Contribution To The 14th Prague Quadrennial
Scenography is generally considered an element of secondary importance in theatre since its main...
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Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
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Shaina Taub’s “Twelfth Night” At The Young Vic
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
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Lyubimov Award Winners Announced In Moscow
The Yury Lyubimov award presentation ceremony took place in Moscow on October 2. While the guests...
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David Hare’s “I’m Not Running” At The National Theatre
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
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Moscow’s 2018 Liubimovka Festival: New Trends, Old Problems
The Liubimovka, for those not in the know, is the annual festival of young dramaturgy held in...
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1980s Berlin Comes To Life In “Welcome The Bright World’s” Quest For “Truth”
Performance group House of Sand, in collaboration with the State Theatre Company of South...
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A Return To The Body: TAO Dance Theatre And Its “Straight Line Trilogy”
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
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