Who Doesn’t Love The Jester?
With their latest workshop, John Pradeep and his group reiterate that clowning is a serious art...
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Featured
The Expanding Notion Of Scenography And The Swiss Contribution To The 14th Prague Quadrennial
Scenography is generally considered an element of secondary importance in theatre since its main...
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Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
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Shaina Taub’s “Twelfth Night” At The Young Vic
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
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Lyubimov Award Winners Announced In Moscow
The Yury Lyubimov award presentation ceremony took place in Moscow on October 2. While the guests...
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David Hare’s “I’m Not Running” At The National Theatre
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
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Moscow’s 2018 Liubimovka Festival: New Trends, Old Problems
The Liubimovka, for those not in the know, is the annual festival of young dramaturgy held in...
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1980s Berlin Comes To Life In “Welcome The Bright World’s” Quest For “Truth”
Performance group House of Sand, in collaboration with the State Theatre Company of South...
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A Return To The Body: TAO Dance Theatre And Its “Straight Line Trilogy”
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
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A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
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Creative Strokes On A Historical Canvas: On Girish Karnad’s New Play “Rakshasa Tangadi”
Girish Karnad’s new play Rakshasa Tangadi puts the spotlight on Vijayanagar empire. More than his...
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“Fierce” Premise Hard To Buy
Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...
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Arabic Storytelling In Bahrain’s Theater Festival
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
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Speakeasy Succeeds With “Between Riverside And Crazy”
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
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When Koodiyattam Looks In The Mirror
Tracing its profile over the last 25 years unveils interesting changes in India’s only ancient...
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Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
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“The Last Five Years”: Poignant Tale Of Failed Marriage
From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...
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“Vastraharan:” Five Thousand And Counting
Now well into its fourth decade, the rip-roaring Malwani comedy, Vastraharan rolls on. The...
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Indigenous Theatre Would Thrive With Funds From The Canadian Government
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
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Too Close To Home: Stefano Massini’s “Intractable Woman”
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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