Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read MorePosted by Yalena Kleidara | 6th Oct 2019 | Adaptation, Greece, Review
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read MorePosted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read MorePosted by Alexander Mantush | 6th Oct 2019 | Belarus, Europe, Interview
In September 2019 new theatre season starts, promising not only new performances but some new...
Read MorePosted by Christine Deitner | 5th Oct 2019 | Los Angeles, Review, United States of America
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by M. Dinesh Varma | 4th Oct 2019 | India, Review, Sweden, Theatre for Young Audiences, Transmedia
Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...
Read MorePosted by Marié-Heleen Coetzee | 4th Oct 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
Read MorePosted by Matthew McMahan | 3rd Oct 2019 | Boston, Canada, Review, United States of America
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
Read MorePosted by Andrew Agress | 3rd Oct 2019 | Interview, New York, United States of America
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
Read MorePosted by Shilpa Sebastian R | 3rd Oct 2019 | India, Review, Theatre and Religion
Puneet Issar, who plays Duryodhan in BR Chopra’s renowned television show, says his version of the...
Read MorePosted by Donald Brown | 2nd Oct 2019 | New York, Review, United States of America
Baba Brinkman’s Rap Guides in Repertory This Fall For starters, you might be skeptical that a...
Read MorePosted by Alexander Nderitu | 2nd Oct 2019 | Kenya, News
Too Early For Birds, a theatrical series that brings stories from Kenyan history to the stage, is...
Read MorePosted by Alexander Mantush | 2nd Oct 2019 | Belarus, Essay, Theatre and Disability
The importance of including people with disabilities in active public life is a keenly discussed...
Read MorePosted by Jane Baldwin | 1st Oct 2019 | Review, Theatre and Politics, United States of America
Nixon’s Nixon by Russell Lees opened on Broadway in 1996 almost two years to the day of the...
Read MorePosted by Michael Walker | 1st Oct 2019 | Interview, Japan, Musical Theatre
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
Read MorePosted by Kumaresh K.R. | 1st Oct 2019 | Acting, India, Review
Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
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