Featured Archives - Page 104 of 252

“Painted Alice” Review: Down The Rabbit Hole Once More

Posted by Zhe Pan | 9th Nov 2019 | Adaptation, Review, United States of America

Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....

Mozart by Way of Cape Town

Posted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America

The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...

Samuel Bailey’s “Shook” at Southwark Playhouse

Posted by Mert Dilek | 8th Nov 2019 | London, Review, United Kingdom

The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...

“Dr. Ride’s American Beach House:” Ready for Orbit

Posted by Abigail Weil | 8th Nov 2019 | New York, Review, United States of America

It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...

Shadow Theatre: Performance and the Imaginary in Contemporary Egypt

Posted by Nora Amin | 7th Nov 2019 | Egypt, Essay, Puppetry

An essay by Nora Amin that traces the presence of shadow theatre within the modern and...

Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands

Posted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America

In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...

Living Skill At Work

Posted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America

In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...

Isadora Duncan and “The Figurative Arts in Italy:” An Exhibition Review.

Posted by Ariadne Mikou | 6th Nov 2019 | Italy, Review, Theatre and Dance

During summer 2019, Villa Bardini in Florence was the home of A Passi Di Danza. Isadora Duncan e...

“Old Stock:” A Refugee Love Story and Debate Between Empathy and Voyeurism

Posted by Aisling Murphy | 6th Nov 2019 | Canada, Review, Theatre and Politics

Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...

“Bun de Export:” A Personal Exploration of Romanian Migration

Posted by Aisling Murphy | 6th Nov 2019 | Review, Romania, Theatre and Politics

That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...

Billy Langa and Mahlatsi Mokgonyana on Pushing the Boundaries of the Craft

Posted by Tonderai Chiyindiko | 6th Nov 2019 | Interview, South Africa

Collaborators Billy Langa and Mahlatsi Mokgonyana better known as ‘Theatre Duo’ are what one could...

Anima and Animus. Lucy Guerin: “Split.” The Place, London, Dance Umbrella 2019 Festival.

Posted by Katalin Trencsényi | 5th Nov 2019 | Australia, Dance Umbrella 2019, Review, Theatre and Dance

Lucy Guerin is one of the most innovative, postmodern choreographers on the contemporary dance...

The “Vessel” in which Dance and Sculpture Meet

Posted by William Peterson | 5th Nov 2019 | Australia, Review, Theatre and Dance

Vessel. 26-27 October 2019. OzAsia Festival, Adelaide, Australia. Now in its twelfth year,...

Leila Waddell: Hidden Women of History

Posted by Alice Gorman | 5th Nov 2019 | Australia, Essay, Theatre and Gender

Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...

The Kathakar Festival Celebrates the Power of Storytelling

Posted by Shrinkhla Sahai | 5th Nov 2019 | Festivals, India, News

From grandparents’ tales to brand-building exercises and social media posts, storytelling is fast...

Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University

Posted by Raveeta Banger | 5th Nov 2019 | Applied Theatre, News, Theatre and Politics, Transcultural Collaborations, United Kingdom

Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...

Cultural Participation Policies: A Poverty of Ambitions

Posted by David Stevenson | 4th Nov 2019 | Essay, Management, United Kingdom

This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...

Interview with Oksana Haiko

Posted by Alexander Mantush | 4th Nov 2019 | Belarus, Europe, Interview

Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...

Between the Virtual and Real

Posted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review

Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....

“Fangirls” Review: New Musical has Enough Warmth, Witty Lines and Catchy Tunes to Win its Own Fangirls

Posted by Alastair Blanshard | 4th Nov 2019 | Australia, Musical Theatre, Review

Comedy often succeeds where tragedy fails. Fangirls, the pop musical which premiered on Thursday...

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Featured

“Painted Alice” Review: Down The Rabbit Hole Once More

Mozart by Way of Cape Town

Samuel Bailey’s “Shook” at Southwark Playhouse

“Dr. Ride’s American Beach House:” Ready for Orbit

Shadow Theatre: Performance and the Imaginary in Contemporary Egypt

Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands

Living Skill At Work

Isadora Duncan and “The Figurative Arts in Italy:” An Exhibition Review.

“Old Stock:” A Refugee Love Story and Debate Between Empathy and Voyeurism

“Bun de Export:” A Personal Exploration of Romanian Migration

Billy Langa and Mahlatsi Mokgonyana on Pushing the Boundaries of the Craft

Anima and Animus. Lucy Guerin: “Split.” The Place, London, Dance Umbrella 2019 Festival.

The “Vessel” in which Dance and Sculpture Meet

Leila Waddell: Hidden Women of History

The Kathakar Festival Celebrates the Power of Storytelling

Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University

Cultural Participation Policies: A Poverty of Ambitions

Interview with Oksana Haiko

Between the Virtual and Real

“Fangirls” Review: New Musical has Enough Warmth, Witty Lines and Catchy Tunes to Win its Own Fangirls

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