Interview Archives - Page 35 of 38

Lebanese Director Lina Abyad on “But I Love You”

Posted by Nahed Nasr | 29th Sep 2016 | Interview, Lebanon

Directed by Lina Abyad, the play titled But I Love You was staged within the ongoing Cairo...

Munby’s “Crucible” Speaks To Societies Built On Fear

Posted by Nobuko Tanaka | 27th Sep 2016 | Interview, Japan, Review, Theatre and Politics

“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...

Sander Veenhof: Staging Audience Against Isolation

Posted by Ágnes Bakk | 23rd Sep 2016 | Interview, Netherlands, Transmedia

Sander Veenhof is a hands-on futurist, creating interactive experiences to explore scenario’s for...

Kabuki’s Bando Tamasaburo V Takes Kodo Drum Troupe In An Artistic New Direction With “Spiral”

Posted by Nobuko Tanaka | 22nd Sep 2016 | Interview, Japan, Theatre and Art

To celebrate its 35th anniversary, the internationally renowned Kodo drumming troupe staged three...

Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”

Posted by Ágnes Bakk | 14th Sep 2016 | Immersive Theatre, Interview, Transmedia, United Kingdom

The Brighton-based Blast Theory is one of the world leading interactive performance companies that...

Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”

Posted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview

Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...

Talking Dramaturgy with Gareth Vile: Uncertainty, Confusion, Parody

Posted by Andrew Edwards | 6th Sep 2016 | Dramaturgy, Interview

Interview with Gareth Vile, Theatre Editor for the List, former Theatre Editor for the Skinny and...

Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America

Posted by Katalin Trencsényi | 5th Sep 2016 | Dramaturgy, Interview

Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...

Interview with Bear Bellinger

Posted by Sarah O'Neill | 1st Sep 2016 | Acting, Chicago, Interview

Bear Bellinger is a total babe. The Chicago-based actor was recently nominated for a Time Out...

Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem

Posted by Nobuko Tanaka | 23rd Aug 2016 | Interview, Japan, Review, Theatre and Opera

Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...

Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO

Posted by Ilinca Todoruţ | 3rd Aug 2016 | Interview, Transmedia

Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...

Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police

Posted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera

“It is easy for opera to be hijacked by the taste police, especially when the taste police have...

Butoh For Kids Has Fun With “Birthday Suit” Tale

Posted by Nobuko Tanaka | 26th Jul 2016 | Interview, Japan, Theatre for Young Audiences

“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...

What It’s Like To Be A Puppet Maker

Posted by Chloe Hamilton | 22nd Jul 2016 | Design, Interview, London, United Kingdom

Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...

Interview with Ricardo Bartis: The Dead and the Actor

Posted by Halima Tahan Ferreyra | 18th Jul 2016 | Argentina, Directing, Interview

Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

Posted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender

Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...

Dramatist Speaks Up For The Downtrodden And New Thinking In Japan

Posted by Nobuko Tanaka | 21st Jun 2016 | Interview, Japan, Management

Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...

Interview: Michael Boyd On Staging “Eugene Onegin” For Garsington Opera

Posted by Anna Prosvetova | 18th Jun 2016 | Interview, Theatre and Opera, United Kingdom

Sir Michael Boyd was born in Belfast and studied English at Edinburgh University. In 1979 he won a...

Isabelle Huppert Talks Her Return To The Stage In “Phaedra(s)” And Paul Verhoeven’s Controversial “Elle”

Posted by Hugh Montgomery | 2nd Jun 2016 | Acting, France, Interview

“A difficult role is never difficult to do,” says Isabelle Huppert. “It’s difficult to watch but...

“Tell Me” Lays Bare One Woman’s Quest

Posted by Nobuko Tanaka | 24th May 2016 | Interview, Japan, Musical Theatre

The first thing Yojiro Ichikawa said when we sat down for our recent interview in a Tokyo...

Interview

Lebanese Director Lina Abyad on “But I Love You”

Munby’s “Crucible” Speaks To Societies Built On Fear

Sander Veenhof: Staging Audience Against Isolation

Kabuki’s Bando Tamasaburo V Takes Kodo Drum Troupe In An Artistic New Direction With “Spiral”

Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”

Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”

Talking Dramaturgy with Gareth Vile: Uncertainty, Confusion, Parody

Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America

Interview with Bear Bellinger

Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem

Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO

Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police

Butoh For Kids Has Fun With “Birthday Suit” Tale

What It’s Like To Be A Puppet Maker

Interview with Ricardo Bartis: The Dead and the Actor

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

Dramatist Speaks Up For The Downtrodden And New Thinking In Japan

Interview: Michael Boyd On Staging “Eugene Onegin” For Garsington Opera

Isabelle Huppert Talks Her Return To The Stage In “Phaedra(s)” And Paul Verhoeven’s Controversial “Elle”

“Tell Me” Lays Bare One Woman’s Quest

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