Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read MoreMaria Delgado is an academic, curator, and critic. Professor and Vice Principal (Research and Knowledge Exchange) at The Royal Central School of Speech and Drama, University of London, she has published widely in the areas of Spanish-language theatre and film. Her books include "Other" Spanish Theatres (Manchester University Press, 2003, revised Spanish language edition published in 2017), Federico García Lorca (Routledge, 2008), and twelve co-edited volumes, including Contemporary European Theatre Directors (Routledge, 2011) and A Companion To Latin American Cinema (Wiley-Blackwell, 2017). She writes for publications, including Sight & Sound and European Stages, and has appeared as a guest contributor on a range of BBC radio programs.
Posted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Maria Delgado | 26th Jul 2019 | Review, Spain
Buenos Aires director Claudio Tolcachir has good reason to call Madrid his second home. His Timbre...
Read MorePosted by Maria Delgado | 23rd Jul 2019 | Adaptation, Review, Spain
It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...
Read MorePosted by Maria Delgado | 19th May 2019 | Review, Spain
La Cubana—one of Spain’s most important theatre companies—are back. They may have intimated back...
Read MorePosted by Maria Delgado | 27th Apr 2019 | Review, Spain
El chico de la última fila (English title The Boy at the Back) is one of Juan Mayorga’s most...
Read MorePosted by Maria Delgado | 25th Apr 2019 | Review, Spain
Miguel Delibes wrote his novella Señora de rojo sobre fondo gris (English title Woman In Red...
Read MorePosted by Maria Delgado | 21st Apr 2019 | Review, Spain
Federico García Lorca, Spain’s best-known twentieth-century dramatist and poet, has been conjured...
Read MorePosted by Maria Delgado | 18th Apr 2019 | Review, Spain
José María Pou is an actor who knows how to hold an audience and his star turn in Moby Dick is a...
Read MorePosted by Maria Delgado | 12th Apr 2019 | Documentary Theatre, Review, Spain
Presented as a double bill alongside Jauría (English title Pack) at Madrid’s El Pavón Teatro...
Read MorePosted by Maria Delgado | 7th Apr 2019 | Review, Spain, Theatre and Gender
At El Pavón Teatro Kamikaze, Jordi Casanovas has crafted a double bill of verbatim plays dealing...
Read MorePosted by Maria Delgado | 31st Mar 2019 | Review, Spain
Carme Portacelli’s current season at the Español theatre has focused on stories about women by...
Read MorePosted by Maria Delgado | 20th Mar 2019 | Review, Spain
2018 was a good year for veteran Spanish actress Nuria Espert. Two years after winning the...
Read MorePosted by Maria Delgado | 16th Mar 2019 | Review, Spain
Juan Mayorga has been keeping busy. He was recently elected to the Royal Spanish Academy—the...
Read MorePosted by Maria Delgado | 7th Mar 2019 | Review, Spain
Tickets for French writer-director Pascal Rambert’s Hermanas (Bárbara And Irene) (English title...
Read MorePosted by Maria Delgado | 3rd Mar 2019 | Review, Spain
One of the highlights of Lluís Pasqual’s years at the helm of Madrid’s Centro Dramático Nacional...
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