Krzysztof Warlikowski’s (A)pollonia is based on classical and contemporary texts, primarily, excerpts from Euripides’ Alcestis, the Oresteia by Aeschylus, and Hanna Krall’s Pola. The erudite script also includes fragments of Jonathan Littell’s Les Bienveillantes, J.M Coetzee’s Elizabeth Costello, Rabidranath Tagore’s drama The Post Office, and more. By bringing together these texts, Warlikowski seeks to shed light on the ambiguous and somber history of sacrifice, and self-sacrifice – giving up one’s life for another – in particular. Stories of mythological characters ruled by Fate are complemented and reflected in twentieth-century experience with its helplessness in the face of the Holocaust. In the act of sacrifice, the executioner becomes no less important than the victim.
LEARN MORE ABOUT THE PRODUCTION AND THE DIRECTOR:
The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”
“(A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage”
Krzysztof Warlikowski and Song of the Goat in BAM in New York
Theatre Review: Odéon–Théâtre De L’Europe’s “Phaedra(s)” With Isabel Huppert At The Barbican
A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
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This post was written by Directed by Krzysztof Warlikowski, Nowy Teatr, Ninateka (2014), Poland.
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