To tell the mythical story of Antigone, Song of the Goat uses a hypnotic mix of narration, polyphonic singing, choreography and the music of a cello. The performers’ contemporary dance movements, combined in different ways throughout the show, invite us to reflect on the figure of Antigone: are all the people we see a part of that mythical figure? Perhaps those movements, to the beat of a multiplicity of polyphonic voices, could be the embodiment of the doubts that torment Antigone? In a world where you can be anything… Can you be loyal to your beliefs while thunderous voices sow doubts around you?
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This post was written by Directed by Grzegorz Bral, Teatr Pieśń Kozła / Song of the Goat Theatre (2018), Poland.
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