To tell the mythical story of Antigone, Song of the Goat uses a hypnotic mix of narration, polyphonic singing, choreography and the music of a cello. The performers’ contemporary dance movements, combined in different ways throughout the show, invite us to reflect on the figure of Antigone: are all the people we see a part of that mythical figure? Perhaps those movements, to the beat of a multiplicity of polyphonic voices, could be the embodiment of the doubts that torment Antigone? In a world where you can be anything… Can you be loyal to your beliefs while thunderous voices sow doubts around you?

READ MORE ABOUT THE POLISH COMPANY PIESN KOZLA:

http://680.e22.myftpupload.com/report-songs-lear-teatr-piesn-kozla/

http://680.e22.myftpupload.com/song-goat-sings-tragedy-cordelia-songs-lear/

http://680.e22.myftpupload.com/conversation-ivan-perez-founder-inne-choreographer-song-goat-theatre/

http://680.e22.myftpupload.com/songs-of-lear-performed-by-the-song-of-the-goat-theatre-where-inspiration-meets-high-culture-with-unrefined-expression/

http://680.e22.myftpupload.com/krzysztof-warlikowski-and-song-of-the-goat-tour-to-bam-in-new-york/

This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.

This post was written by Directed by Grzegorz Bral, Teatr Pieśń Kozła / Song of the Goat Theatre (2018), Poland.

The views expressed here belong to the author and do not necessarily reflect our views and opinions.