The Blue Bird is a trilogy based, in part, on the play by Belgian symbolist Maurice Maeterlinck. Boris Yukhananov staged it as a journey into a fantastic, eccentrically structured world where experiments with the spectator’s imagination alternate with deep reflections on culture, time and theatre. The personal memories of veteran actors Vladimir Korenev and Aleftina Konstantinova – he in the role of the boy Tyltyl and she in the role of the girl Mytyl – emerge as vivid, documentary commentary on this mystical story about the search for Happiness. Each of the production’s parts has its own name – Journey, Night, and Bliss – its own structure, and artistic fabric. Each is stylistically diverse and absorbs the experience of world theatre culture in its own way.

The Stanislavsky Electrotheatre is located in the heart of Moscow, on Tverskaya Street 23, and was founded almost a century ago in 1915 as the cinema palace — the Ars electrotheatre. After the revolution it became home to Konstantin Stanislavsky’s opera and drama studio, and not long after that, the Stanislavsky Drama Theatre. The symbolic legacy of these three locations, a cinema, an opera studio and a dramatic theatre, has been fully endorsed by the Stanislavsky Electrotheatre as it launches a new era.

This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.

This post was written by Directed by Boris Yukhananov, based on a play by Maurice Maeterlinck, Stanislavsky Electrotheatre, Stage Russia HD (2015), Russia.

The views expressed here belong to the author and do not necessarily reflect our views and opinions.