Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of understanding, in reality catching the subject in a trap of eternal expectation? In Krzysztof Warlikowski’s most recent show, these questions are combined with questions about guilt. A tall, slender figure, dressed in a tight-fitting black lace costume covering the legs and … Continue reading The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”