Translating the Act: Kenyan Producers Keeping Indigenous Languages in Auditoriums
In recent years, there has been a growing movement towards promoting and preserving indigenous...
Read MorePosted by Sakina Mirichii | 30th Nov 2023 | Essay, Kenya, Theatre and Decolonization
In recent years, there has been a growing movement towards promoting and preserving indigenous...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Praveen Sudevan | 30th Nov 2023 | India, Interview, Playwriting
The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...
Read MorePosted by Martin Blaszk | 29th Nov 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read MorePosted by Verity Healey | 28th Nov 2023 | Interview, Kosovo, Ukraine
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Trevor Boffone | 24th Nov 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MorePosted by Sruti Bala and Rashna D. Nicholson | 22nd Nov 2023 | Education, India, Theatre and Politics
What is the task of a humanities education? The following incident, which recently took place in...
Read MorePosted by Neeraja Murthy | 21st Nov 2023 | Adaptation, Devised Theatre, India
An ensemble of around 18 actors takes the stage this weekend in Hyderabad to present three plays...
Read MorePosted by Kaggwa Andrew Mayiga | 20th Nov 2023 | Festivals, News, Uganda
The Kampala International Theatre Festival (KITF) will open on November 22 in Uganda. This will be...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by David Turner | 20th Nov 2023 | Documentary Theatre, Review, United Kingdom
Dear England, a play about football manager Gareth Southgate, immaculately encapsulates the light...
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Verity Healey | 13th Nov 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read MorePosted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MorePosted by Lisa Monde | 9th Nov 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MorePosted by Verity Healey | 8th Nov 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read MorePosted by Verity Healey | 6th Nov 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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