Victoria Chen

author

Vic is a creator of live-experiences, whose work has been presented in Australia, Iceland, USA and the UK. They pursue international collaborations that are intersectional and interdisciplinary in nature. Vic has reviewed for "The Outlier Scotland" and the Edinburgh Fringe.

“The Interview” Review: A Blend of Fact and Speculation

Posted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom

One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...

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“Cake: The Marie Antoinette Playlist” Review: An Absolute Treat

Posted by Victoria Chen | 16th Oct 2023 | Review, United Kingdom

Cake: The Marie Antoinette Playlist may be presented as a concert, but Drew McOnie’s...

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“Kinder” Review: Tackling Big Issues One Little Footstep At A Time

Posted by Victoria Chen | 16th Oct 2023 | Europe, Review, Theatre for Young Audiences, United Kingdom

In a short hour, Smoking Apple’s touring production, Kinder, transports us across...

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Recent Posts

“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
Bound To Start Again, Again, Again… 27th April 2026

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