Victoria Chen

author

Vic is a creator of live-experiences, whose work has been presented in Australia, Iceland, USA and the UK. They pursue international collaborations that are intersectional and interdisciplinary in nature. Vic has reviewed for "The Outlier Scotland" and the Edinburgh Fringe.

“The Interview” Review: A Blend of Fact and Speculation

Posted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom

One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...

Read More

“Cake: The Marie Antoinette Playlist” Review: An Absolute Treat

Posted by Victoria Chen | 16th Oct 2023 | Review, United Kingdom

Cake: The Marie Antoinette Playlist may be presented as a concert, but Drew McOnie’s...

Read More

“Kinder” Review: Tackling Big Issues One Little Footstep At A Time

Posted by Victoria Chen | 16th Oct 2023 | Europe, Review, Theatre for Young Audiences, United Kingdom

In a short hour, Smoking Apple’s touring production, Kinder, transports us across...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

“Cake: The Marie Antoinette Playlist”… by Victoria Chen 16th October 2023
Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
Report From The Underground: A New Iranian Theatre by Ali Mansouri 25th September 2024
The Music of Magical Worlds. An Exclusive Interview… by Lisa Monde 23rd August 2024
It Takes Artistry to Make Theatre for Young… by Kasia Lech 7th September 2024
Representation Of Women In Iraqi Theatre: An… by Amir Al-Azraki 11th September 2024
“Laughs In Spanish” Review by Amelia Parenteau 25th June 2024
Timberlake Wertenbaker’s “Our Country’s… by Aleks Sierz 12th September 2024
“The Maids” by Genet: The Logic of the Paradox by Lisa Monde 2nd January 2024
“Miss Saigon”: Déjà vu. An exclusive… by Lisa Monde 21st May 2024

Recent Posts

Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas 7th October 2024
The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song 2nd October 2024
Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92 1st October 2024
Report From The Underground: A New Iranian Theatre 25th September 2024
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III] 23rd September 2024
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II] 23rd September 2024
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I] 23rd September 2024
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II] 18th September 2024
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I] 18th September 2024
Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production 12th September 2024

SEARCH OUR ARCHIVES

Pin It on Pinterest