Victoria Chen

author

Vic is a creator of live-experiences, whose work has been presented in Australia, Iceland, USA and the UK. They pursue international collaborations that are intersectional and interdisciplinary in nature. Vic has reviewed for "The Outlier Scotland" and the Edinburgh Fringe.

“The Interview” Review: A Blend of Fact and Speculation

Posted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom

One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...

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“Cake: The Marie Antoinette Playlist” Review: An Absolute Treat

Posted by Victoria Chen | 16th Oct 2023 | Review, United Kingdom

Cake: The Marie Antoinette Playlist may be presented as a concert, but Drew McOnie’s...

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“Kinder” Review: Tackling Big Issues One Little Footstep At A Time

Posted by Victoria Chen | 16th Oct 2023 | Europe, Review, Theatre for Young Audiences, United Kingdom

In a short hour, Smoking Apple’s touring production, Kinder, transports us across...

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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
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Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
A Magical “Tempest” In Stratford-Upon-Avon by Margaret Rose 26th June 2026
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
A Celebration Of Bremen Past And Present:… by Daniel Meyer-Dinkgräfe 6th July 2026
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Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

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