Victoria Chen

author

Vic is a creator of live-experiences, whose work has been presented in Australia, Iceland, USA and the UK. They pursue international collaborations that are intersectional and interdisciplinary in nature. Vic has reviewed for "The Outlier Scotland" and the Edinburgh Fringe.

“The Interview” Review: A Blend of Fact and Speculation

Posted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom

One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...

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“Cake: The Marie Antoinette Playlist” Review: An Absolute Treat

Posted by Victoria Chen | 16th Oct 2023 | Review, United Kingdom

Cake: The Marie Antoinette Playlist may be presented as a concert, but Drew McOnie’s...

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“Kinder” Review: Tackling Big Issues One Little Footstep At A Time

Posted by Victoria Chen | 16th Oct 2023 | Europe, Review, Theatre for Young Audiences, United Kingdom

In a short hour, Smoking Apple’s touring production, Kinder, transports us across...

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Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

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