“The Magic Begins with the Clock Striking Midnight:” The History of the Nutcracker Ballet in Egypt
Every year in December, the Cairo Opera Ballet Company performs The Nutcracker at the Cairo Opera...
Read MorePosted by Ati Metwaly | 31st Jan 2022 | Egypt, News, Theatre and Dance
Every year in December, the Cairo Opera Ballet Company performs The Nutcracker at the Cairo Opera...
Read MorePosted by Jonathan Kalb | 30th Jan 2022 | New York, Playwriting, Review, Theatre and Politics, United States of America
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Nele Wynants | 29th Jan 2022 | Belgium, Essay, Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
Read MorePosted by Antonio Hernández | 27th Jan 2022 | Festivals, Review, Spain
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
Read MorePosted by Robbie MacKay | 26th Jan 2022 | Canada, Education, Theatre and Opera
Learning to make music is a full mind-and-body activity. Whether teaching how to play a musical...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Donald Brown | 24th Jan 2022 | Review, Theatre and Politics, United States of America
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
Read MorePosted by WeekendSpecial.Co | 23rd Jan 2022 | Musical Theatre, News, South Africa, Theatre and Politics
Samson, the South African theatrical work produced by Third World Bunfight, is one of six winners...
Read MorePosted by Sheila Chisholm | 22nd Jan 2022 | Adaptation, Musical Theatre, Review, South Africa
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by The Hindu | 20th Jan 2022 | India, News, Participatory Theatre
Imitation of Death staged in Kozhikode Imitation of Death, a play staged at Zamorin’s Higher...
Read MorePosted by Tonderai Chiyindiko | 19th Jan 2022 | Review, South Africa, Theatre and Politics
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
Read MorePosted by Aleks Sierz | 18th Jan 2022 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Tonderai Chiyindiko | 17th Jan 2022 | Review, South Africa, Theatre and Politics
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
Read MorePosted by Aleks Sierz | 16th Jan 2022 | London, Review, Theatre and Gender, United Kingdom
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
Read MorePosted by Nobuko Tanaka | 15th Jan 2022 | Applied Theatre, Japan, News, Theatre and Age
After 15 years of entertaining audiences in Japan and abroad, the actors of Saitama Gold Theater...
Read MorePosted by Aleks Sierz | 14th Jan 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
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