Evidence and/or Performance?
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
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Month: May 2020
“#GestezChezVous” Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
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Invisible Diaries: “Doing Time”
This article is part of the Dramaturgs’ Network’s Invisible Diaries series, and has...
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The International Online Theatre Festival Is Extended Until May 31, Additing Eleven New Productions
IOTF PS + 11: EXTENDED May 16–31, 2020 IOTF is an annual online theatre festival showcasing the...
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BLIXT Locally Grown on Community-Driven Theatre During COVID-19
BLIXT Locally Grown was born on “a car ride between Scottsbluff and Lincoln,” Becky Boesen...
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Interview with Raphaëlle Boitel – Compagnie L’oubliée
Written by The Cultural Services of the French Embassy of the United States. Interview Conducted...
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Translating Theatre/Trans-lating Theatre
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
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Invisible Diaries: A Problem With Walls (Covid-19 Week 3, Day 2)
This article is part of the Dramaturgs’ Network Invisible Diaries series. Woke up today to...
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International Online Theatre Festival 2020. A glimpse into the physical theatre performances.
During an art and culture online ubiquity that was expanded in the course of the global pandemic,...
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Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
Unusual times need unusual solutions. We certainly live in times that are challenging, but they...
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Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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Kosmopolis Rebound: Sopot, 2020
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
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Serbian Balcony Performances in Times of COVID-19: Clapping, Protesting, Confrontation
How did diverse balcony performances emerge in Serbia during the coronavirus epidemic and how did...
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Italian Resilience Against COVID-19: Dancers in Quarantine
Because of COVID-19, Italian dancers’ work has abruptly stopped. In order to underline this...
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Wit and Wisdom: “Much Ado About Nothing” at the Delacorte Theater
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
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Stage Design: Tradition of Diversity
Germany has more theatres and concert halls than almost any other country in the world. From its...
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Anya Richkind: The Spontaneous Playwright in Experimental Theatre
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
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“Breaking Glass” Review: Sydney Chamber Opera Livestreams Premiere
There are very few silver linings that have developed from the current catastrophic health crisis,...
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