December 2019 - Page 2 of 4 - The Theatre Times

Capitalizing on the Pull of Experimental Japanese Theatre

Posted by Nobuko Tanaka | 21st Dec 2019 | Directing, Japan, News

Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...

Lucy McCormick: Post-Popular at Soho Theatre

Posted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom

Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...

“There Will Be No Intermission”: Amanda Palmer Speaks Truth in Major Keys

Posted by Julian De Medeiros | 20th Dec 2019 | London, Musical Theatre, Review, United Kingdom

Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...

Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

Shelagh Delaney’s “A Taste of Honey” at the Trafalgar Studios

Posted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom

It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...

Time to Listen: Go For a Walk With Sounds Made By Migrant Domestic Workers

Posted by Ella Parry-Davies | 19th Dec 2019 | Immersive Theatre, Lebanon, News, Theatre and Politics, Transmedia, United Kingdom

I’m not apologizing: this is going to take time. Visit a website. Choose an image: of a bag of...

“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Posted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom

How far can bodily interaction amongst the audience members, with performance objects, and with...

Who? Whoo! “Other Than We:”Karen Malpede’s Latest Eco-Feminist Play at La MaMa

Posted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America

Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...

Amanda Levie: Founder-Director of No Peeking Theatre

Posted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America

Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...

Review: The play “My Father – His Exalted Highness”

Posted by Krishna Sripada | 17th Dec 2019 | India, Review

The play My Father – His Exalted Highness was a nuanced depiction of the concerns of a ruler...

“Trace”: The Impact of Identity and Family Through Time.

Posted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review

“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...

“Almighty Voice and His Wife:” Love, Settler Colonialism, and Looking Back at the Audience

Posted by Sheetala Bhat | 16th Dec 2019 | Canada, Review, Theatre and Decolonization, Theatre and Politics

Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...

Dance on Screen. Three Moments from the 58th International Art Exhibition-La Biennale di Venezia

Posted by Ariadne Mikou | 16th Dec 2019 | Italy, Review, Theatre and Dance

Artists from three different and fairly distant parts of the world — Australia, Brazil and...

Midnight Radio: “Yinzer Scrooged: A Pittsburgh Christmas Carol” at Bricolage Production Company, Pittsburgh PA, USA

Posted by Wendy Arons | 16th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...

Diamonds In the Rough

Posted by Vikram Phukan | 15th Dec 2019 | Festivals, India, Review

An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...

Cosmos, Without Us

Posted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America

I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...

John Webster’s “The Duchess of Malfi” at the Almeida Theatre

Posted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom

This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...

Any One Thing’s Souvenir: Being a Guest in A Dystopian Birthday Party

Posted by Aida Rocci | 15th Dec 2019 | Immersive Theatre, London, Participatory Theatre, United Kingdom

I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

Posted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America

If you’re a culture vulture and are interested in TV and theater, most likely, you know a...

Isabelita Perón in the Spotlight: “Happyland” at Buenos Aires’ Teatro San Martin

Posted by Maria Delgado | 14th Dec 2019 | Argentina, Review, Theatre and Politics

Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...

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Month: December 2019

Capitalizing on the Pull of Experimental Japanese Theatre

Lucy McCormick: Post-Popular at Soho Theatre

“There Will Be No Intermission”: Amanda Palmer Speaks Truth in Major Keys

Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Time to Listen: Go For a Walk With Sounds Made By Migrant Domestic Workers

“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Who? Whoo! “Other Than We:”Karen Malpede’s Latest Eco-Feminist Play at La MaMa

Amanda Levie: Founder-Director of No Peeking Theatre

Review: The play “My Father – His Exalted Highness”

“Trace”: The Impact of Identity and Family Through Time.

“Almighty Voice and His Wife:” Love, Settler Colonialism, and Looking Back at the Audience

Dance on Screen. Three Moments from the 58th International Art Exhibition-La Biennale di Venezia

Midnight Radio: “Yinzer Scrooged: A Pittsburgh Christmas Carol” at Bricolage Production Company, Pittsburgh PA, USA

Diamonds In the Rough

Cosmos, Without Us

John Webster’s “The Duchess of Malfi” at the Almeida Theatre

Any One Thing’s Souvenir: Being a Guest in A Dystopian Birthday Party

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

Isabelita Perón in the Spotlight: “Happyland” at Buenos Aires’ Teatro San Martin

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