Shadow Theatre: Performance and the Imaginary in Contemporary Egypt
An essay by Nora Amin that traces the presence of shadow theatre within the modern and...
Read MorePosted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
Read MorePosted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
Read MorePosted by Ariadne Mikou | 6th Nov 2019 | Italy, Review, Theatre and Dance
During summer 2019, Villa Bardini in Florence was the home of A Passi Di Danza. Isadora Duncan e...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Canada, Review, Theatre and Politics
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Review, Romania, Theatre and Politics
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
Read MorePosted by Tonderai Chiyindiko | 6th Nov 2019 | Interview, South Africa
Collaborators Billy Langa and Mahlatsi Mokgonyana better known as ‘Theatre Duo’ are what one could...
Read MorePosted by Katalin Trencsényi | 5th Nov 2019 | Australia, Dance Umbrella 2019, Review, Theatre and Dance
Lucy Guerin is one of the most innovative, postmodern choreographers on the contemporary dance...
Read MorePosted by William Peterson | 5th Nov 2019 | Australia, Review, Theatre and Dance
Vessel. 26-27 October 2019. OzAsia Festival, Adelaide, Australia. Now in its twelfth year,...
Read MorePosted by Alice Gorman | 5th Nov 2019 | Australia, Essay, Theatre and Gender
Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...
Read MorePosted by Shrinkhla Sahai | 5th Nov 2019 | Festivals, India, News
From grandparents’ tales to brand-building exercises and social media posts, storytelling is fast...
Read MorePosted by Raveeta Banger | 5th Nov 2019 | Applied Theatre, News, Theatre and Politics, Transcultural Collaborations, United Kingdom
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
Read MorePosted by David Stevenson | 4th Nov 2019 | Essay, Management, United Kingdom
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by Alexander Mantush | 4th Nov 2019 | Belarus, Europe, Interview
Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...
Read MorePosted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review
Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....
Read MorePosted by Alastair Blanshard | 4th Nov 2019 | Australia, Musical Theatre, Review
Comedy often succeeds where tragedy fails. Fangirls, the pop musical which premiered on Thursday...
Read MorePosted by Miranda Laurence | 3rd Nov 2019 | Dance Umbrella 2019, Review, Theatre and Dance, United Kingdom
My senses are all awakened. It begins in the darkness. A curl of smoke rises from a dimly lit bowl...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Goran Tomka | 1st Nov 2019 | Belgium, Essay, Management
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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