“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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Month: October 2019
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
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Michael Frayn’s “Noises Off” at the Garrick Theatre
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
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Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
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A Series of Sensory Experiences
Theatremaker Sujay Saple and sound artist Mitsuaki Matsumoto’s collaboration is all about...
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“The New Canadian Curling Club”: Delightful Immigration Comedy With Deeper Aspirations
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
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Coming-of-age in 2019: “Spring Awakening” at TUTS
Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...
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Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
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Australia Council and Arts Funding
Today, the Daily Review published an open letter with more than 700 signatures addressing the...
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“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
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What Are You Already Doing In Your Organization Or Community (Related To Digital Technology And Theatre)?
No question about it, the use of digital technology is quite common in everyday theatre life all...
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“Burn Her”: Big Themes of Political Intrigue
Distills the Big Themes of Political Intrigue with Insight, Flair, Withering Wit, and a Welcome...
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“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
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Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
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Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha
In September 2019 new theatre season starts, promising not only new performances but some new...
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Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
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