Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
Read MorePosted by Agata Łuksza | 18th Mar 2018 | Adaptation, Croatia, Directing, Dramaturgy, Interview, Poland, Theatre and Politics
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
Read MorePosted by The Theatre Times | 17th Mar 2018 | News, Worldwide
Eurodram – European network for drama in translation 2018 Honours – Selection of...
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
Read MorePosted by Julian Meyrick | 17th Mar 2018 | Australia, Review
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
Read MorePosted by Christopher Harris | 16th Mar 2018 | Festivals, Netherlands, News, Participatory Theatre, Theatre and Dance, Transcultural Collaborations
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
Read MorePosted by Colin Hambrook | 16th Mar 2018 | Interview, Theatre and Disability, United Kingdom
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
Read MorePosted by Lauren Dubowski | 15th Mar 2018 | News, Poland, Theatre and Art
During Tadeusz Kantor’s lifetime (1915-1990), his singular performances found their way to many...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by KaiChieh Tu | 15th Mar 2018 | Dramaturgy, Interview, Poland, Theatre for Young Audiences
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
Read MorePosted by Hilary Halba | 15th Mar 2018 | New Zealand, Review, Theatre and Politics
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read MorePosted by The Theatre Times | 14th Mar 2018 | Lebanon, News
The Zoukak Theatre in Lebanon has received the 2nd Annual Ellen Stewart International Award for...
Read MorePosted by Monika Larini | 14th Mar 2018 | Estonia, Festivals, News
To mark the 100th anniversary of the Republic of Estonia in 2018, The Estonian Association of...
Read MorePosted by Helen Rynne | 14th Mar 2018 | Interview, London, Management, United Kingdom
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
Read MorePosted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
Read MorePosted by Stefanie Bäuerle | 12th Mar 2018 | Interview, Serbia, Theatre and Dance, Theatre and Politics
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
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