Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MoreWhen I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MorePosted by Katherine Cappellacci | 22nd May 2021 | Acting, Canada, Covid-19, News
If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...
Read MorePosted by Katherine Cappellacci | 19th Feb 2021 | Canada, Covid-19, Festivals, News
On February 20th at 7pm, Sebastian Biasucci’s family will be in their kitchen eating dinner. One...
Read MorePosted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
Read MorePosted by Kathleen Gallagher | 3rd May 2019 | Canada, Documentary Theatre, News, Theatre and Age
Today’s young people deserve to be heard. But, because of all of our technological distractions...
Read MorePosted by Berna Ataoğlu | 25th Mar 2019 | Canada, Review, Theatre and Gender
Grace is one of two daughters in an educated family living in Canada. She loves her parents and...
Read MorePosted by Abhimanyu Acharya and Sheetala Bhat | 2nd Mar 2019 | Canada, Review, Theatre and Disability
Why Not Theatre’s Prince Hamlet, adapted and directed by Ravi Jain, is a performative exploration of the relationship between aesthetics and disability. Prince Hamlet is a gender-bent, bilingual play which uses English and American Sign Language (ASL).
Read MorePosted by Kate Croome | 27th Jan 2019 | Canada, Review
Kate Croome reviews After The Fire by Matthew MacKenzie, a Punctuate! Theatre and Alberta...
Read MorePosted by Robyn Grant-Moran | 31st Oct 2018 | Canada, Review
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Hartley Jafine | 7th Oct 2018 | Canada, Essay, Theatre and Science
I teach improvisational theatre to health scientists and trainee doctors. When I tell people this,...
Read MorePosted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Christopher Taylor | 30th Jun 2018 | Canada, Devised Theatre, LGBTQ+ Theatre, Review
I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...
Read MorePosted by Joe Szekeres | 28th Jun 2018 | Canada, Musical Theatre, Review
When I first saw Wicked in 2008 in Chicago, audience members around me were wiping tears from...
Read MorePosted by Marjan Moosavi | 9th Jun 2018 | Canada, Documentary Theatre, Iran, Playwriting, Review, Theatre and Gender
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
Read MorePosted by Hayley Malouin | 14th May 2018 | Canada, Review
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Yana Meerzon | 7th Feb 2018 | Canada, Review, Theatre and Dance, Translation
In scholarly debates on contemporary theatre, the question about language has primary importance....
Read MorePosted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
Read MorePosted by Cassandra Silver | 17th Aug 2017 | Canada, Documentary Theatre, Festivals, News
Review: White Man’s Indian presents a new take on the coming-of-age narrative. Darla Contois’...
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