Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by David O'Donnell | 15th Oct 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by Aleks Sierz | 19th Mar 2024 | Review, Theatre and Politics, United Kingdom
Before the internet, newspapers were central to the national conversation in Britain. By the first...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Alexander Nderitu | 4th Jan 2023 | Applied Theatre, France, Kenya, Participatory Theatre, Theatre for Young Audiences
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
Read MorePosted by Aleks Sierz | 17th Dec 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by Neeraja Murthy | 21st Oct 2021 | India, News
Storyboard Productions to stage Alan Ayckbourn’s “Table Manners” on September 25 and 26. The dark...
Read MorePosted by Kathryn Kelly | 6th Sep 2021 | Australia, Essay, Theatre and Politics
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
Read MorePosted by Irina Yakubovskaya | 13th Feb 2021 | Devised Theatre, Interview, Transmedia, United States of America
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Aleks Sierz | 25th Apr 2020 | Documentary Theatre, Review, Theatre and Film, United Kingdom
Artemisia Gentileschi definitely had a hard time. Although she was an outstanding Renaissance...
Read MorePosted by Aleks Sierz | 19th Mar 2020 | Review, Theatre and Politics, United Kingdom
Since 2000, Esther Baker’s Synergy Theatre Project has worked with prisoners, ex-offenders and...
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Aleks Sierz | 18th Oct 2019 | Review, Theatre and Disability, United Kingdom
Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End...
Read MorePosted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
Read MorePosted by Aleks Sierz | 26th Mar 2019 | London, Review, United Kingdom
Okay, so this is the play that will be remembered for the character names that have unusual...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Aleks Sierz | 11th Jan 2019 | Essay, London, Theatre and Politics, United Kingdom
Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Aleks Sierz | 25th Jul 2018 | London, Review, Theatre and Age, Theatre and Politics, United Kingdom
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 