Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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Tag: russia
Peter Morgan’s “Patriots” at The Noël Coward Theatre: Award-Winning Story Of Putin’s Triumph Is Vivid But Unreal
Peter Morgan’s Patriots at the Noël Coward Theatre: award-winning story of Putin’s triumph is vivid but unreal
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“Cruel Games”—A Soviet Play in Post-Soviet Realities
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
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9 New Names in Russian Ballet That You Should Know
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
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Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
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Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Moscow Theatre Prompter Talks About Her ‘Dying’ Job
Nowadays, most theaters have stopped using prompters, but the Maly Theater cherishes this...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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“Three Sisters” at The Almeida Theatre
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
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“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
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Hong Kong Ballet Brings Back “Le Corsaire”–An Encounter With Its Rising Young Star, Garry Corpuz
This article is brought to you by The Hong Kong Ballet. 25-year-old Garry Corpuz is one of Hong...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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Rude Mechs’ Experiment With Dostoevsky’s “Brothers Karamazov”
Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich
These people had already seen what for everyone else is still unknown. I felt like I was recording...
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Russian Puppetry
It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...
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