School Camp
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Aleks Sierz | 25th May 2024 | London, Review, Theatre and Politics
It’s often said that contemporary American playwrights are too polite, too afraid of giving...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Theatre and AI, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Melissa Denzer | 20th Mar 2023 | Interview, Musical Theatre, New York, United States of America
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
Read MorePosted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
Read MorePosted by Jack Wernick | 7th Jun 2022 | Adaptation, Review, Theatre and Decolonization, United States of America
Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
Read MorePosted by Vassili Schedrin | 31st May 2022 | Directing, News, Playwriting, Russia, United States of America
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read MorePosted by Aleks Sierz | 18th Jan 2022 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Alexander Nderitu | 12th Nov 2021 | Interview, Kenya, Management, Transcultural Collaborations, United States of America
There are some lyrics in Simon & Garfunkel’s The Dangling Conversation that really get to me:...
Read MorePosted by Nicole Birmann Bloom | 1st Nov 2021 | France, Interview, Theatre and Dance
Aguibou Bougobali Sanou (known as Bougobali) is a choreographer, performer, and director of the...
Read MorePosted by Jack Wernick | 28th Jan 2021 | New York, Review, Theatre and Politics, United States of America
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
Read MorePosted by Ágnes Bakk | 15th Feb 2020 | Interview, New York, Transmedia, United States of America
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
Read MorePosted by Jonathan Kalb | 10th Nov 2019 | New York, Review, Theatre and Art, United States of America
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
Read MorePosted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026