GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
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Tag: movement
Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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A Dramaturgy Of Desire
What is the transformative potential of party performances? Since venues reopened after the –...
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Dissecting the Camera: Shifting Positions Between Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
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About “Outside In”
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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Kerala’s ‘Tholpavakoothu’ as a Modern Avatar in a Music Video
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
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Performing Again: An Interview With Michael Vogel And Familie Flöz At Schiller Theatre
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
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Morgan Grambo – Landing the Moment
Theatre Artist Inside look Morgan Grambo, recent MFA graduate of Dramaturgy from the University of...
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Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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“Denarius World:” Exorcising Tragic Reality with the Farce
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
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Jayachandran Palazhy on Contemporary Art Forms
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
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Choy Ka Fai: Dr. Dance Trips The Light Fantastic
Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...
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In “Kwongkan,” Indian And Australian Performers Convey An Urgent Climate Change Message
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
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Barcelona Meeting On Independent And Non-Institutionalised Theatres: A Short Report
It was a great success the first Barcelona Meeting on Independent and Non-Institutionalised...
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The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
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Taking My Shoes Off: Dramaturgy By Movement
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
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Examining Gender Issues Through An Ancient Myth: 27 Degrees’ “Medusa” At Crypt Gallery
In Greek and Roman mythology, Medusa the Gorgon is a hideous, monstrous woman with snakes in place...
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Make Way For Egypt’s Independent Contemporary Performing Arts
The art practitioners, art aficionados, cultural journalists and–above all–the regular audience...
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Defying “Romeo And Juliet” at The Shakespeare’s Globe
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
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