The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
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Tag: Digital Theatre
TheTheatreTimes.com wins the 2024 ATHE-ASTR Award for Excellence in Digital Scholarship
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Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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Ecologies of Media, Ecologies of Mind: Toward a Dialectics of Embodiment
Despite being heavily indebted to electronic mediation, the dramatic situation created in...
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Together We Go On: A 36 Hour Non-Stop Festival on 28th and 29th August
The International Drama/Theatre and Education Association (IDEA) is organizing the Together We Go...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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Our Experiments: Democratizing The Creative Process
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
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How COVID-19 Is Reshaping The Performing Arts
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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Our Experiments: How Dakh Theatre Went Digital
An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...
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“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich
When Rebecca Greene Udden graduated from Rice University, she decided to make Houston her...
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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Shreyas Talpade Set to Unveil Nine Rāsā in January 2021
BShreyas Talpade hopes his new digital theatre initiative will create new opportunities for...
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For Youth, Theatre is Action
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
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Incubator 7: POPArt’s Innovative Response To Covid-19
In the midst of the Covid-19 pandemic which, among other industries, has adversely affected the...
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#TeatroConfinado: Spanish Theater’s Answer to the Pandemic
The COVID-19 pandemic has closed theaters around the world, including New York’s Broadway and...
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Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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