Australia Archives - Page 4 of 15

Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival

Posted by Lara Cox | 30th Jul 2021 | Australia, Avignon 2021, France, Immersive Theatre, Review

One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...

A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories

Posted by Heidi Norman and Jennifer Newman | 20th Jul 2021 | Australia, Review, Sydney

Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...

Shakespeare’s Rulers and Generals Are All Flawed, but the Books on His Leadership Lessons Keep Coming

Posted by Robert White | 7th Jul 2021 | Australia, Books

John Bell’s new book Some Achieve Greatness is but the latest to use Shakespeare’s works to...

Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”

Posted by Liza-Mare Syron | 13th May 2021 | Australia, Dramaturgy, Review

Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Posted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film

Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...

Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter

Posted by Jonathan W. Marshall | 24th Mar 2021 | Australia, Immersive Theatre, Review, Theatre and Decolonization

Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...

Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart

Posted by Leah Mercer | 17th Mar 2021 | Australia, Participatory Theatre, Review

Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Posted by Vanessa Berry | 14th Mar 2021 | Adaptation, Australia, Review, Sydney

Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Posted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad

Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...

Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale

Posted by Chandra Salgado Kent | 4th Mar 2021 | Australia, Essay, Theatre and Gender

Review: Whale Fall, written by Ian Sinclair and directed by Melissa Cantwell for The Kabuki Drop....

In Conversation with Yve Blake, Fangirling on the Fangirls

Posted by Shiya Lu | 3rd Mar 2021 | Australia, Interview, Musical Theatre, Sydney

From Beatlemania in the sixties to 2010 boy band sensation One Direction, to today’s global...

Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre

Posted by Daniel Johnston | 26th Feb 2021 | Australia, Review, Sydney, Theatre and Art

Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...

Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music

Posted by Justin Ellis | 3rd Feb 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021

The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...

Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight

Posted by Kate Maguire-Rosier | 2nd Feb 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021

Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...

Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”

Posted by Kate Maguire-Rosier | 29th Jan 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021

Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

Posted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ+ Theatre, Review, Sydney

Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...

Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought

Posted by Anthony Uhlmann | 13th Nov 2020 | Australia, Review, Sydney, Theatre and Age

Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...

“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health

Posted by Jacinthe Flore, Averyl Gaylor, and Natalie Hendry | 11th Nov 2020 | Australia, Covid-19, Essay

The arts industry is among the most devastated by the pandemic. Artists and arts workers often...

“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best

Posted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney

Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

Posted by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics

Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...

Australia

Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival

A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories

Shakespeare’s Rulers and Generals Are All Flawed, but the Books on His Leadership Lessons Keep Coming

Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter

Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale

In Conversation with Yve Blake, Fangirling on the Fangirls

Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre

Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music

Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight

Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought

“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health

“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

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