Caridad Svich’s “Town Hall”: Resistance And Change
This interview between OBIE-winning director and theater maker Katie Pearl and OBIE-winning...
Read MorePosted by Katie Pearl and Caridad Svich | 4th Jun 2017 | New York, Theatre and Politics, United States of America
This interview between OBIE-winning director and theater maker Katie Pearl and OBIE-winning...
Read MorePosted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
Read MorePosted by Jack Wernick | 2nd Jun 2017 | New York, Review, Theatre and Politics, United States of America
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
Read MorePosted by Barbara Adams | 31st May 2017 | Argentina, United States of America
It’s good to be shaken off our predictable paths, and Ithaca’s Cherry Arts productions do that...
Read MorePosted by Aleks Sierz | 30th May 2017 | Adaptation, Review, United States of America
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...
Read MorePosted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
Read MorePosted by Katrina Holden-Buckley | 26th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
Read MorePosted by Cheng-Han Wu | 25th May 2017 | Boston, Directing, Interview, United States of America
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
Read MorePosted by Katrina Holden-Buckley | 18th May 2017 | Boston, Theatre and Opera
Productions by BOC have been leaner in the last few years as the company continues to carve out its identity through quite a bit of growth.
Read MorePosted by Alexis Greene | 18th May 2017 | Dramaturgy, United States of America
I am a dramaturg. I am also a biographer. As a dramaturg, I try to help a playwright tell the...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
Read MorePosted by Heather Waters | 15th May 2017 | New York, United States of America
In Martin Zimmerman’s play Seven Spots on the Sun, civil war leads to a plague which leads to...
Read MorePosted by Marcina Zaccaria | 13th May 2017 | New York, Theatre and Opera, Transmedia, United States of America
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
Read MorePosted by Amanda Boekelheide | 12th May 2017 | New York, Theatre and Opera, United States of America
Symphony Space presents Fuse Project April 30 through May 23, which is, in their words:...
Read MorePosted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera
In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...
Read MorePosted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
Read MorePosted by Trevor Boffone | 10th May 2017 | News, Playwriting, United States of America
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
Read MorePosted by Jonathan Kalb | 5th May 2017 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
Read MorePosted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read MorePosted by Katrina Holden-Buckley | 4th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...
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