David Greenspan Dazzles In One-Man “Strange Interlude”
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Augusto Esteves | 31st Oct 2017 | Transmedia, United States of America
What do Coldplay, Stevie Wonder, and the Imagine Dragons all have in common? The answer, and well...
Read MorePosted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
Read MorePosted by Donald Brown | 29th Oct 2017 | Adaptation, Review, Theatre and Age, United States of America
The kitchen of an aging spinster in a small town in Texas may be an unlikely place to find...
Read MorePosted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
Read MorePosted by Christine Deitner | 28th Oct 2017 | Los Angeles, Musical Theatre, Review, United States of America
With the opening of Bright Star at The Ahmanson Theatre at The Music Center in Downtown Los...
Read MorePosted by Donald Brown | 27th Oct 2017 | Review, Theatre and Gender, United States of America
The great strength of The Wolves, the debut play by Sarah DeLappe now playing in an extended run...
Read MorePosted by Jessica Hinds-Bond | 27th Oct 2017 | Directing, Interview, Russia, Russian Theatre Abroad, United States of America
An interview with Graham Schmidt, artistic director of Austin’s Breaking String Theater....
Read MorePosted by James Montaño | 26th Oct 2017 | Boston, Review, Theatre and Politics, United States of America
When the dying King Berenger the First petulantly exclaims “Let everything die, if my death won’t...
Read MorePosted by Christine Deitner | 26th Oct 2017 | Adaptation, Los Angeles, Review, United States of America
Trapped in an atmosphere rife with the air of past punishment and with no concrete tasks to take up their time, Alice [Lizzy Kimball] and The Captain [Darrell Larson] play cards, say they will allow themselves one drink then pour three or more over the course of an evening, and argue with an off-stage cook about a dinner that never arrives. They wonder whether they should take on another lover and recall how the last threesome went. If this doesn’t sound like Strindberg to you, you’ve been missing out for not only is the play as sexually explicit as one could get in its time, it is also brutally funny and Ms. Kimball and Mr. Larson know exactly how to use both elements to their most effective ends as they engage in a slowly building battle for supremacy over the other.
Read MorePosted by Trevor Boffone | 25th Oct 2017 | Review, Theatre and Gender, United States of America
The Astrodome has always stirred up a sense of nostalgia in me. Growing up in New Orleans, we...
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Heather Waters | 21st Oct 2017 | New York, Puppetry, Review, Theatre and Art, United States of America
Ping Chong + Company’s show ALAXSXA | ALASKA subverts an overused Western storyline of people as...
Read MorePosted by Katrina Holden-Buckley | 20th Oct 2017 | Boston, Review, Theatre and Opera, United States of America
Riding the line between political thriller and melodrama, Joseph Kerman described Puccini’s Tosca...
Read MorePosted by Donald Brown | 20th Oct 2017 | Review, Translation, United States of America
Thanks to Trump’s designation of the press as “the enemy of the people,” the question of what...
Read MorePosted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
Read MorePosted by Marcina Zaccaria | 14th Oct 2017 | Festivals, New York, Theatre and Opera, United States of America
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
Read MorePosted by Trevor Boffone | 12th Oct 2017 | Dallas, Musical Theatre, United States of America
While I grew up around musical theatre, I certainly didn’t grow up around Hair. “Oh, What a...
Read MorePosted by Andrew Eggert | 10th Oct 2017 | Dramaturgy, Theatre and Opera, United States of America
The successful development of new work for the opera stage is a complex and often elusive process....
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025