Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
Read More
New York
“One Small Step” At Ice Factory Festival
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read More
“Carmen Jones”: A Classic Reborn
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
Read More
World Premiere: “Lonesome Blues”
If you travel along the New York City underworld of trains and platforms, you’re likely to see a...
Read More
“Teenage Dick”: A Study Of The Stereotypical Villain
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
Read More
“Sea Of Common Catastrophe” At Irondale Center
Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...
Read More
“Log Cabin,” and the Wilderness of LGBTQ Equality
After a month of Pride, Log Cabin is a cautionary tale about the price of privilege, of survival after assimilation, of what we leave behind after fleeing the fringe.
Read More
“This Is Modern Art”: A Scatterplot
This Is Modern Art, originally commissioned by Chicago’s Steppenwolf Theater, makes its New York...
Read More
New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children
When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...
Read More
Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
Read More
“Exquisita Agonía” At Repertorio Español
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read More
Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read More
When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
Read More
“Kurski Station” at the East Village Playhouse
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
Read More
Hook And Eye Theater Presents: “SHE-SHE-SHE”
In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...
Read More
Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Read More
South Africa’s Richest And Smoothest Jazz
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
Read More
Finding “Piramo E Tisbe”
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
Read More
Music At The Anthology
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
Read More
“Assembled Identity”: World Premiere
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
Read MoreLike Us On Facebook
Most Popular Posts
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
- “Lale Lili Marleen:” The Promising… 10th October 2025
- Debating Identity: Is It Time to Rename Cairo’s… 26th September 2025
- “Tired” Of Consuming Postdramatic… 31st August 2025
