Vampire-Hunting Hijinks: “Police Cops: Badass Be Thy Name” at Soho Playhouse
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
Read MorePosted by Andrew Agress | 7th Dec 2019 | New York, Review, Theatre and Film, United States of America
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
Read MorePosted by Antigoni Gaitana | 23rd Nov 2019 | Greece, New York, Review, Theatre and Opera, United States of America
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
Read MorePosted by David Vernon | 19th Nov 2019 | New York, Puppetry, Review, United States of America
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
Read MorePosted by Andrew Agress | 16th Nov 2019 | New York, Review, United States of America
We live in a time, especially in America, of increasing political divide. Many politicians and...
Read MorePosted by Jonathan Kalb | 15th Nov 2019 | New York, Review, Theatre and Politics, United States of America
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
Read MorePosted by Abigail Weil | 15th Nov 2019 | Immersive Theatre, New York, Participatory Theatre, Review
The Black History Museum….According to the United States of America, Smoke & Mirrors...
Read MorePosted by Jonathan Kalb | 10th Nov 2019 | New York, Review, Theatre and Art, United States of America
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
Read MorePosted by Abigail Weil | 8th Nov 2019 | New York, Review, United States of America
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
Read MorePosted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by David Vernon | 29th Oct 2019 | Musical Theatre, New York, Review, United States of America
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
Read MorePosted by Abigail Weil | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
Read MorePosted by Jonathan Kalb | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
Read MorePosted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
Read MorePosted by John Brunner | 17th Oct 2019 | New York, Review, Theatre and Age, United States of America
Is the truth always best or should some secrets go to the grave? For playwright Paul David Young,...
Read MorePosted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 

The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026