Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
Read MorePosted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom
Many years ago, your time at school might even have been some of the happiest days of your...
Read MorePosted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
Read MorePosted by Kate Youde | 12th Apr 2018 | Interview, Stage Combat, Theatre and Gender, United Kingdom
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
Read MorePosted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Chris Pike | 10th Apr 2018 | News, Theatre and Disability, United Kingdom
I work for the National Autistic Society as their Autism Access Specialist. While this may seem...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom
Dysfunctional families do not know about time or place. We may all know too well that reading...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Liz Crossman | 2nd Apr 2018 | Design, United Kingdom
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
Read MorePosted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
Read MorePosted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
Read MorePosted by Ahram Online | 23rd Mar 2018 | Egypt, Festivals, News, Theatre and Disability, United Kingdom
In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...
Read MorePosted by Noah Birksted-Breen | 23rd Mar 2018 | Adaptation, Russia, Translation, United Kingdom
I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 
