Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Aleks Sierz | 16th Dec 2018 | London, Review, United Kingdom
Can you really turn a three-page short story into a full-length play? What would you add, and how...
Read MorePosted by Duška Radosavljević | 2nd Dec 2018 | London, Review, United Kingdom
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
Read MorePosted by Rob Hastings | 28th Nov 2018 | London, Review, United Kingdom
When the lights go out for the interval midway through Hadestown, I’m already making a mental list...
Read MorePosted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
Read MorePosted by Aleks Sierz | 27th Nov 2018 | London, Review, United Kingdom
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now...
Read MorePosted by Aleks Sierz | 22nd Nov 2018 | London, Review, United Kingdom
Plays about old age are also often plays about death. This is certainly true of American novelist...
Read MorePosted by Haylin Cai | 22nd Nov 2018 | London, Review, Theatre and Gender, United Kingdom
In Greek and Roman mythology, Medusa the Gorgon is a hideous, monstrous woman with snakes in place...
Read MorePosted by Letizia Fusini | 17th Nov 2018 | China, London, Review, United Kingdom
The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...
Read MorePosted by Aleks Sierz | 16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
Read MorePosted by Aleks Sierz | 15th Nov 2018 | London, Review, United Kingdom
How do you judge artistic excellence? Is there such a thing as an objectively brilliant musician,...
Read MorePosted by Aleks Sierz | 14th Nov 2018 | Adaptation, London, Review, United Kingdom
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
Read MorePosted by Letizia Fusini | 13th Nov 2018 | China, Chinese Theatre Abroad, London, Review, United Kingdom
As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...
Read MorePosted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
Read MorePosted by Riley Rudy | 7th Nov 2018 | Interview, London, Playwriting, Theatre and Gender, United Kingdom
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
Read MorePosted by Alice Jones | 6th Nov 2018 | London, Musical Theatre, Review, United Kingdom
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
Read MorePosted by Aleks Sierz | 6th Nov 2018 | London, Review, United Kingdom
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
Read MorePosted by Juno Schwarz | 5th Nov 2018 | Adaptation, London, Review, United Kingdom
First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...
Read MorePosted by Aleks Sierz | 4th Nov 2018 | London, Review, United Kingdom
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....
Read MorePosted by Haylin Cai | 3rd Nov 2018 | China, Chinese Theatre Abroad, London, Review, Transmedia, United Kingdom
Exploring the common phenomenon of livestream communication in modern society, the performance...
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