“De Lege Zaal: Broken Shapes” – Rimah Jabr and Dareen Abbas / Moussem
The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...
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Belgium
Try Again. Fail Again. Fail Better.
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
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Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
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“Tactile Quartet(s)” – Vera Tussing and Quatuor MP4
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
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“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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What Are You Already Doing In Your Organization Or Community (Related To Digital Technology And Theatre)?
No question about it, the use of digital technology is quite common in everyday theatre life all...
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“Self Life Drawing” – Eunkyung Jeong
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Dana Michel: “Cutlass Spring”
“You have to sit on the side of the stage. You’ll see that when you enter you have the option of...
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Dancer of the Year and Dancer of the Year Shop
Performing the performing other American dancer and choreographer Trajal Harrel marks his first...
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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
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Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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The Naked Archivist: Tradition In The Work Of Performance Artist Pichet Klunchun
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
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The Western Prejudice Of Contemporary Dance
Fabián Barba studied dance in Quito, the capital of Ecuador, as well as at P.A.R.T.S. in...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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