ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
Read MorePosted by Lauren Dubowski | 16th Apr 2019 | Germany, News, Producing, Theatre and Politics, Transcultural Collaborations, Ukraine
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
Read MorePosted by Jane Baldwin | 10th Apr 2019 | Boston, Review, Theatre and Politics, United Kingdom, United States of America
The National Theatre’s production of J.B. Priestley’s 1945 An Inspector Calls now playing at...
Read MorePosted by Maria Jovita Zárate | 3rd Apr 2019 | LGBTQ+ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
Read MorePosted by Michael Appler | 1st Apr 2019 | New York, Review, Theatre and Politics, United States of America
In Heidi Schreck’s hands rests a divine power which only the best of storytellers wield to purge...
Read MorePosted by Marié-Heleen Coetzee | 31st Mar 2019 | News, South Africa, Theatre and Politics
World Theatre Day reminds us that theatre offers a means through which to make meaning of our experiences in our historical, social and political contexts by storying and re-storying modes of human (dis)connection.
Read MorePosted by Jack Wernick | 28th Mar 2019 | Education, News, Theatre and Politics, Theatre for Young Audiences, United States of America
Broadway’s Richard Rodgers Theatre is not only home to musical theatre sensation Hamilton but also...
Read MorePosted by Judit Csáki | 25th Mar 2019 | Hungary, Review, Theatre and Politics
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
Read MorePosted by Zsófi Szerda | 19th Mar 2019 | Interview, Macedonia, Theatre and Politics
Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who...
Read MorePosted by Alvina Ruprecht | 18th Mar 2019 | Acting, Canada, Review, Theatre and Politics
Un-Countried, written by Stéphanie Turple, and directed by Kevin Orr shows what happens when a...
Read MorePosted by Jack Wernick | 18th Mar 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
Read MorePosted by Bryce Lease | 17th Mar 2019 | Lithuania, Review, Theatre and Politics
Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 14th Mar 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
While acclaimed American performance artist Marina Abramovic was exploring her own body, Russian...
Read MorePosted by Aleks Sierz | 10th Mar 2019 | London, Review, Theatre and Politics, United Kingdom
In the medieval Mappa Mundi, which hangs in Hereford cathedral, the Garden of Eden is pictured at...
Read MorePosted by Sandra D'urso | 10th Mar 2019 | Australia, Review, Theatre and Politics
In the world premiere production of Arbus and West, Playwright Stephen Sewell appears to be...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Abigail Weil | 1st Mar 2019 | Adaptation, Documentary Theatre, New York, Review, Theatre and Politics, United States of America
What is a juggalo? Let me think for a second…Oh! He gets butt-naked and then he walks through the...
Read MorePosted by Jack Wernick | 1st Mar 2019 | Adaptation, Germany, Review, Theatre and Politics, United States of America
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
Read MorePosted by Pavel Rudnev | 28th Feb 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
In the year 2017 Russian society passed through the jubilee of the Bolshevik Revolution. It would...
Read MorePosted by Michael Appler | 22nd Feb 2019 | New York, Review, Theatre and Politics, Theatre and Science, United States of America
Irondale’s innovative and triumphant “Galileo” is Bertolt Brecht at his most excellent, cradled by an ensemble of dynamic and invested performers and pitched inevitably toward its audience with a playful, conscious eye toward its own didactic mission.
Read MorePosted by Christine H. Tran | 20th Feb 2019 | Canada, Review, Theatre and Politics
“I want to believe,” declared Agent Fox Mulder in the 1998 television pilot for The X-Files. Two...
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