A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Theatre and Politics
Caryl Churchill’s “A Number” at the Bridge Theatre: Family Drama About Genetic Manipulation
Genetic engineering is in the news again. This follows the resignation of Andrew Sabisky as...
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Williams and Dyer’s “Death of England,” National Theatre
Is this an angry island? Although the British national character (if there is such a thing) has...
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“Van Wyk, The Storyteller of Riverlea:” A Tribute to the Revolutionary Johannesburg Poet
Van Wyk, The Storyteller of Riverlea based on the life of late writer, political activist and...
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Why You Don’t See Many Black and Ethnic Minority Faces in Cultural Spaces – And What Happens if You Call Out the System
Have you ever been to the theatre, looked around, and thought about how predominantly white the...
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“Family Values:” David Williamson’s New Uncomfortable, Confronting Play
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
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About “The Importance Of Being Earnest”
Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...
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Al Blyth’s “The Haystack” at the Hampstead Theatre: Not Entirely Believable Surveillance Thriller
Total surveillance: this is the idea that every moment of our waking existence can be spied upon...
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“Bran Nue Dae” Review: Exceptional Singing And Music Obscure The Political Heart Of This Classic Australian Musical
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
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Business Ethics Takes Center Stage
A theatrical performance by the Association of Chartered Certified Accountants grapples with the...
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Janice Okoh’s “The Gift” at the Theatre Royal Stratford East: Complex and Powerful Account of Race and Empire
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
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The Cadence of Spoken Word
All India Forward Bloc architect, Netaji Subhash Chandra Bose and his equally illustrious elder...
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Dollhouse: Innovative New Plays for A Traditional Set Piece
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
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“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
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“Bella Ciao” and The Revolutionary Iraqi Theatre Group
A group of young volunteers in northern Iraq produced the slick Bella Ciao music video because...
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“OpeRamayana:” A New Approach to Teaching the Next Generation of Theatre-goers
Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...
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“One Night in Miami…” at City Theatre, Pittsburgh, PA, USA
After he won the World Heavyweight Championship by roundly defeating Sonny Liston on February...
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Dressing Room with a Bathrobe and a Gas Mask. “Trump and the Field of Maize” at the Polski Theatre, Bydgoszcz
Like two other plays that premiered this year, Agata Siniarska’s You Are Safe, and The Last One...
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