Nora is Back: “A Doll’s House, Part 2” on The Catalan Stage
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Samuel Ravengai | 22nd Sep 2019 | Playwriting, Review, Theatre and Gender, Zimbabwe
The late Stephen Chifunyise rarely wrote about politics. He was more fascinated with social issues...
Read MorePosted by Camilla Nelson | 22nd Sep 2019 | Australia, Review, Sydney, Theatre and Gender
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read MorePosted by Agata Łuksza | 18th Sep 2019 | Poland, Review, Theatre and Gender, Theatre and Politics
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Read MorePosted by Vikram Phukan | 29th Aug 2019 | India, Review, Theatre and Gender
Patchworks Ensemble’s new play, Shikaar explores the insidious culture of instigation...
Read MorePosted by Ketaki Datta | 25th Aug 2019 | India, Review, Theatre and Gender
Recently, Tata Steel Kolkata Literary Meet presented us with exquisite production, Gauhar, by the...
Read MorePosted by Sarah Balking | 23rd Aug 2019 | Australia, Devised Theatre, Review, Theatre and Gender
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Read MorePosted by Vikram Phukan | 19th Aug 2019 | India, Review, Theatre and Gender
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
Read MorePosted by Christine Deitner | 30th Jul 2019 | Los Angeles, Review, Theatre and Gender, United States of America
Son of Semele Ensemble brings Jaclyn Backhaus’ Men on Boats to Los Angeles audiences with a highly...
Read MorePosted by Fan Liya | 28th Jul 2019 | China, Review, Theatre and Gender
The women of Mulan Community Service Center share the stories of their lives as mothers and...
Read MorePosted by Henrik Eger | 14th Jul 2019 | Afghanistan, Interview, Playwriting, Theatre and Gender, Theatre and Politics, United States of America
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
Read MorePosted by Alisa Zhulina | 7th Jul 2019 | News, Theatre and Gender, United States of America
On June 27, 2019, the League of Professional Theatre Women held their first Rachel Crothers...
Read MorePosted by Jane Baldwin | 4th Jul 2019 | Boston, Review, Theatre and Gender, United Kingdom, United States of America
Caryl Churchill’s brilliant two act play about sex Cloud Nine transpires in two eras and two...
Read MorePosted by Fan Yiying | 26th Jun 2019 | China, LGBTQ+ Theatre, Review, Theatre and Gender
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
Read MorePosted by Rem Myers | 24th Jun 2019 | Boston, Review, Theatre and Gender, United States of America
When I first read Cloud 9 by Caryl Churchill ten years ago as a theatre undergrad, I was struck...
Read MorePosted by Rem Myers | 17th Jun 2019 | Boston, Theatre and Gender, United States of America
In a new translation/adaptation by Huntington Playwright-in-Residence Melinda Lopez, Yerma,...
Read MorePosted by Vikram Phukan | 17th Jun 2019 | India, Review, Theatre and Gender
The title of the Vijaydan Detha story, ‘Kenchuli’ literally means ‘the remains...
Read MorePosted by Holly Rosen Fink | 14th Jun 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read MorePosted by Taylor L. Ciambra | 11th Jun 2019 | Review, Theatre and Gender, United States of America
To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...
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