Daniela Bershan and Others — “OCEAN”
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
Read MorePosted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
Read MorePosted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by Beverley Brommert | 17th Mar 2022 | Review, South Africa, Theatre and Gender
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
Read MorePosted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
Read MorePosted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender
Across the western Balkans women are raising their voices against violence following a series of...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
Read MorePosted by Aleks Sierz | 16th Jan 2022 | London, Review, Theatre and Gender, United Kingdom
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
Read MorePosted by Athira M | 11th Jan 2022 | Applied Theatre, India, News, Theatre and Gender
The drama series is an initiative for She Radio on Radio Malayalam Mission, Government of Kerala...
Read MorePosted by Narelle Yeo | 10th Jan 2022 | Essay, Musical Theatre, Theatre and Gender, United States of America
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Hou Xueqi | 5th Jan 2022 | China, Interview, Theatre and Gender
All the rage in Beijing’s stand-up circuit, Pazilye Parhat says much of comedy stems from...
Read MorePosted by Sindhu Nagaraj | 2nd Jan 2022 | India, Playwriting, Review, Theatre and Gender
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
Read MorePosted by Aleks Sierz | 31st Dec 2021 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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Writing On An Empty Page: An Interview with… by Kuan-Ting Lin 9th July 2026 
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