Lincoln Center has reissued its mandate for Lerner and Loewe’s 1956 classic, casting off whatever creative anxiety earlier dogged the production and staging a decidedly lighter, exuberant My Fair Lady.
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Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
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Okay, let’s start with a definition: “Cougar: an older woman who actively seeks the casual, often...
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If this sounds stark, that’s only because a simple paragraph of explanation cannot possibly do the script justice. Los Angeles based playwright Boni B. Alvarez is himself a son of Filipino immigrant parents and he has tapped into his roots to craft multi-dimensional characters that deliver surprising levels of humor in spite of the fact that they are essentially prisoners. The humor reveals the humanity and depth of these characters in ways that draw you close to them no matter how far removed you might feel from their situation.
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When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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The privatization of theatre in Iran has compelled many theatre directors and producers to become...
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Impact of Street-Theatre on the Formation of Indian Feminist Theatre The introduction of feminist...
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Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
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The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
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Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
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One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...
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4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
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Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
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In collaboration with Yildiz Akdogan MP and KVINFO, Freemuse launched its new report on women and...
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Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
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Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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Sheetala Bhat’s Performing Self, Performing Gender: Reading The Lives Of Women Performers In...
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“Lale Lili Marleen:” The Promising… 10th October 2025 
James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025 
“Tired” Of Consuming Postdramatic… 31st August 2025 
Debating Identity: Is It Time to Rename Cairo’s… 26th September 2025 
“Trilogia Cadela Força – Capítulo II:… 6th August 2025