My Life In Russia: Life Of Ballet Dancer Xander Parish
Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...
Read MorePosted by Yulia Shamporova | 4th Jan 2019 | News, Russia, Theatre and Dance
Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...
Read MorePosted by Melanie Suchy | 12th Dec 2018 | Essay, Germany, Theatre and Dance
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
Read MorePosted by Alvina Ruprecht | 5th Dec 2018 | Canada, Review, Theatre and Dance
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
Read MorePosted by Clement Lee | 26th Nov 2018 | Hong Kong, Review, Theatre and Dance
With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...
Read MorePosted by Abigail Weil | 22nd Nov 2018 | New York, Review, Theatre and Dance, United States of America
In the celebratory cookbook Cake, Maira Kalman writes: “When we lived in Rome we had a party...
Read MorePosted by Elisa Rocha | 18th Nov 2018 | Interview, Los Angeles, Theatre and Dance, Theatre and Disability, United States of America
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
Read MorePosted by Katalin Trencsényi | 15th Nov 2018 | Dance Umbrella 2018, Festivals, Greece, Review, Theatre and Dance, United Kingdom
A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...
Read MorePosted by Miranda Laurence | 11th Nov 2018 | Dramaturgy, Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
Read MorePosted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read MorePosted by Maria Pia Pagani | 25th Oct 2018 | Design, Italy, News, Russia, Theatre and Dance
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
Read MorePosted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
Read MorePosted by Lisa Marie Bowler | 23rd Oct 2018 | Dance Umbrella 2018, Festivals, London, Review, South Africa, Theatre and Dance, United Kingdom
The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...
Read MorePosted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
Read MorePosted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
Read MorePosted by Yue Zhu | 11th Oct 2018 | China, Essay, Theatre and Dance
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
Read MorePosted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance
While most regional theaters in Russia cling to traditions and go with old-school classical...
Read MorePosted by Armando Rotondi | 1st Oct 2018 | News, Spain, Theatre and Dance
An ambitious educational project in order to officially celebrate world-renowned American...
Read MorePosted by Clement Lee | 27th Sep 2018 | Hong Kong, Review, Theatre and Art, Theatre and Dance
Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...
Read MorePosted by Kris Verdonck | 1st Sep 2018 | Belgium, Essay, Theatre and Dance
At the core of my oeuvre and of my artistic practice is the fact that you are not allowed to...
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