A 160-Year-Old Pirate’s Ballet Makes Its Asian Debut In Hong Kong
It isn’t often you find a Hong Kong resident unfamiliar with the pirate legend of Cheung Chau, but...
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Theatre and Dance
The Swiss Are Shaking Up Hong Kong’s Dance Scene
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
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Dana Michel’s “Mercurial George” – Illegibility, Identity, Blackness
Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...
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Syrian Dancers Perform Show About Refugees and Migration in Berlin
A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...
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The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
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Disability And The Arts – A Separate Sector?
The notion of “dance and disability” as a sector of the arts in its own right is both...
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Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
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Exquisite Growth In “Frantic Beauty”
There is no growth without decay. When I was considering Dante in Italy, many years ago, I...
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We Can Know More Than We Can Tell: “L.I.F.E: A History of Distance”
Stark white light from bulbs hanging in a straight line against a white backdrop greets audiences...
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Interview With Jin Xing on Drama, Dance, Freedom
Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...
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Structured Flood: Challenges And Restrictions In The Work Of Choreographer Daniel Linehan
Choreographer and dancer Daniel Linehan places dancers in a hyper-structured environment. In this...
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“Shadow Space” An Innovative Ukrainian Acrobatics Show
Why We Recommend it This imaginative shadow theatre show, aimed at children aged 3 and up,...
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Avignon Part 10. Dance Poem by Radhouane El Meddeb
Face à la mer, pour que les larmes deviennent des éclats de rire. Concept, dramaturgy,...
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From Propaganda Ballets to Dance for the People
Once a Cultural Revolution dancer, Wen Hui has become a pioneer of choreography that focuses on...
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Avignon Part 9: “Kalakuta Republik” – An Exploration of Music, Space and Movement Based on The Life of Fela Kuti
Kalkuta Republik Choreography Serge Aimé Coulibaly; music Yvan Talbot; inspired by the political...
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Kiosk X / Festival of New Slovak Theater and Dance
The summer festival of the “different” Slovak theater and the bold spectator. The...
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Interview with Romain Guimard, Acrobat with the French Compagnie XY
The company of acrobats known as XY is touring the United States (Discovery Conservancy Green,...
Read MoreReview of Sansluxe Dance Performance
Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...
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Romantic Ghosts That Will Not Rest: Hong Kong Dance Company’s “L’Amour Immortal”
A male lead dancer hesitantly crosses the darkened stage. He catches sight of a demure but...
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Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?
What remains of the dance experience when it is put in a museum? How can the liveliness of the...
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