Keiko Miyata To Mark Departure From The New National Theatre, Tokyo, With Piece By Up-And-Coming Playwright
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Anna Prosvetova | 3rd Jun 2018 | Directing, Review, Russia, Russian Theatre Abroad
Uncle Vanya is, perhaps, one of the most hopeless plays by Anton Chekhov. Talking about...
Read MorePosted by Charlotte De Somviele | 1st Jun 2018 | Directing, France, Review
Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...
Read MorePosted by Emily Couch | 30th May 2018 | Directing, Review, Russia, Russian Theatre Abroad
Internationally acclaimed theatre director Lev Dodin and the legendary Maly Drama Theatre of St....
Read MorePosted by Maggie Ivanova | 29th May 2018 | Australia, Directing, Review
Fleur Kilpatrick’s Terrestrial, directed by Nescha Jelk for the State Theatre Company of South...
Read MorePosted by Irene Kukota | 29th May 2018 | Acting, Directing, Interview, Russia, Russian Theatre Abroad, Translation
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
Read MorePosted by Valdas Vasiliauskas | 27th May 2018 | Directing, Essay, Lithuania, Playwriting
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Directing, Essay, Poland, Theatre and Politics
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
Read MorePosted by Anadolu Agency | 26th Mar 2018 | Directing, Interview, Turkey
Istanbul Metropolitan Municipality’s City Theaters recently staged Henrik Ibsen’s 1879...
Read MorePosted by David Vernon | 18th Mar 2018 | Directing, Interview, New York, United States of America
My aesthetic as a stage director is built first on a desire to create an experience that captures the poetic nature of the human condition. It’s a desire to connect with something larger than our sense of self, something sacred. And that’s what I see as the beauty of the theatre. In terms of the expression of that desire, my process is to bring to life a very visual, theatrical, and specific life on stage that illuminates increments of thought as components of physical action, which is how I articulate the methodology of One-Thought-One-Action.
The beauty of OTOA is that if you want to, you can use it almost like the cinematic process of editing film where one can compose one frame of action at a time. It’s how the text supports the physical actions on stage so that even if you could turn off the sound of the actors, the viewer would still get the story being told through the visual embodiment of thought as physical action.
Read MorePosted by Agata Łuksza | 18th Mar 2018 | Adaptation, Croatia, Directing, Dramaturgy, Interview, Poland, Theatre and Politics
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
Read MorePosted by Kasia Lech | 1st Mar 2018 | Directing, News, Poland, Theatre and Politics
Jacek Głomb, Polish director and Artistic Director of the Modjeska Theatre in Legnica, has just...
Read MorePosted by Valentina Riccardi | 12th Feb 2018 | Directing, Interview, Singapore
As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...
Read MorePosted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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