“Cast Off All Shame” Brings Female Bhakti Poets to Present Day
Ulka Mayur’s Cast Off All Shame re-imagines four female bhakti poets in a modern-day avatar to...
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Adaptation
“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich
These people had already seen what for everyone else is still unknown. I felt like I was recording...
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Man / Woman / Monster: Franco Branciaroli Re-creates “Medea”
Twenty years ago, on 13 December 1996, Euripides’ Medea debuted in Bergamo (Teatro Donizetti): for...
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The Economics of War in “The Spartan Conspiracy” at Akshara Theatre
Ajit Chitturi’s The Spartan Conspiracy brings to fore how the desire to control resources dictates...
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Dharma Drama: Peter Brook’s “Battlefield”
“An enemy is someone whose story you have not yet heard,” advised my dear friend Rabbi Arthur...
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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“The Book of Exodus – Part I” at Theatre Works
Retelling the Biblical Book of Exodus through the eyes of children The biblical Book of Exodus...
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Finding the Drama Without Words: “Alice’s Adventures in Wonderland” at the New National Theatre in Tokyo
“Not everything can be explained in words. Everyone draws a different nuance from the word ‘love,’...
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Aurora Theatre’s “The Complete Works of William Shakespeare (Abridged)” Blasted the Hong Kong stage at Fringe Club
The Complete Works of William Shakespeare (Abridged) by Aurora Theatre proves that even a small independent theatre company can make astounding theatre.
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Branden Jacobs-Jenkins’s “An Octoroon” In London
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...
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Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”
Adapted from Michel Foucault’s seminal text Discipline and Punish, the collaboratively-written and...
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To Stay or Not to Stay? That is The Question Posed by “Made in Mexico”
Made in Mexico, an adaptation of Made in Lanús (1986) by Argentinian writer Nelly Fernández...
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New Adaptation of “Woyzeck” at Old Vic
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
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“Mr Burns”: Post-Apocalyptic Simpsons Musical Shows Theatre’s Future Is Dazzling
There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...
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Bhoomikeshwar Singh Uses Classical Dance In An Adaptation Of “Vikramorvashiyam”
Under the direction of Bhoomikeshwar Singh, who is trained in modern theatre techniques as well as...
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“Salomé” at the National Theatre
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
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“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
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Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
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A Paradox in a War Fable: “The Great Play”
In late 2016, a chaotic period both in and out of Korea, Doosan Art Center and Theatre Company...
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Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires
German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...
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