New Adaptation of “Woyzeck” at Old Vic
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Bryoni Trezise | 24th May 2017 | Adaptation, Australia
There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...
Read MorePosted by Diwan Singh Bajeli | 22nd May 2017 | Adaptation, India
Under the direction of Bhoomikeshwar Singh, who is trained in modern theatre techniques as well as...
Read MorePosted by Aleks Sierz | 20th May 2017 | Adaptation, London, Review, United Kingdom
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
Read MorePosted by Armando Rotondi | 13th May 2017 | Adaptation, Italy, Poland, Polish Theatre Abroad, Review
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
Read MorePosted by Shin Hyunsook | 12th May 2017 | Adaptation, Devised Theatre, South Korea
In late 2016, a chaotic period both in and out of Korea, Doosan Art Center and Theatre Company...
Read MorePosted by Pablo Bardin | 11th May 2017 | Adaptation, Argentina, Theatre and Opera
German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...
Read MorePosted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera
In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Alfonso Vázquez | 28th Apr 2017 | Adaptation, Spain
Lorca’s first play contains beautiful verses. However, its characters, a group of insects did not...
Read MorePosted by Ali Pour Issa | 26th Apr 2017 | Adaptation, Iran
How do Iranian artists adapt Shakespeare’s drama? The Iranian directors, Mohammad Aghebati and...
Read MorePosted by Nagihan Haliloglu | 24th Apr 2017 | Adaptation, Turkey
State Theatre revived Kenan Işık’s adaptation of Ahmet Hamdi Tanpınar’s Huzur, or A...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Bruce Smith | 11th Apr 2017 | Adaptation, United Kingdom
The Brooklyn Academy of Music (BAM) has been the site of many creative adaptations of...
Read MorePosted by Leigh Sykes | 5th Apr 2017 | Adaptation, New Zealand
The concepts of the self and the troll are at the heart of this adaptation by Eli Kent, alongside an investigation of the nature of theatre itself. This is a resolutely post-modern, meta-theatrical play that tackles themes that resonate powerfully with the currently very prevalent culture of narcissism and self-interest.
Read MorePosted by Diwan Singh Bajeli | 3rd Apr 2017 | Adaptation, India, Puppetry
Anurupa Roy’s much-feted Mahabharata thrilled audience with the innovative use of puppetry in...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
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