“Bronx Gothic” by Okwui Okpokwasili
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
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“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
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Pandemonium Magic: “The Hang” at HERE
Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...
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Cut From Different Cloth: “Intimate Apparel” at Mitzi E. Newhouse Theater
I went to the new opera Intimate Apparel because the 2003 play it was made from is one of my...
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Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
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“Anything & Everything” Gives Us a Glance Into the Lives Teenagers are Constructing Online
Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
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“Shadow Boxing” at Baxter Masambe Theatre
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
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“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
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A New Translation of Molière’s “Dom Juan” for the 21st Century
A Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...
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LMDA Launches New Access Initiatives
I began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back...
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“We’ll Meet Again” Review
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
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With Nine Broadway Musicals Currently on Australian Stages, Musical Theatre is Thriving Again
With nine Broadway musicals currently playing on Australian stages – and a further three set to...
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“Lotus Beauty,” Hampstead Theatre
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
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From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
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Chennai Theatre Veteran PC Ramakrishna Turns Author with “Find Your Voice”
Theatre veteran PC Ramakrishna turns author with Find Your Voice, a guide on how to navigate a...
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With the Hope to Make Telugu Theater a Sustainable Career Option
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
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“House of Ife,” Bush Theatre
In the past, most plays by black-British writers have been about the legacy of the Windrush...
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The Meaning of Theater: Slava Stepnov’s “Flawed Choir” at the Steps Theatre
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
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When City Streets Record Fading Performance Traditions
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
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Black Second-Act Problems: “Black No More” by The New Group
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
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