David Ireland’s “Ulster American” at the Riverside Studios
An American actor, an English director, and a Northern Irish playwright walk into a house in...
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Is There a Right Way to Make Chinese Opera?
With countless adaptations, The Peony Pavilion is China’s answer to Swan Lake. But recent attempts...
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“whole body like gone”: The Art of the Virtual World within Hannah Clarkson’s Exhibition of Samuel Beckett and Jocelyn Herbert
A wave of stark white exhibition light washes over me destabilizing every sense, until I catch...
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Another World. Mihail Sebastian’s “A Star without a Name” at PM Theater
Cruel war rages on without an end; another bloody war has just started. This is our world today....
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Timelier Every Day: Kazimierska’s “Katie’s Tales”
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
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History Experienced In VR
Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...
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The play Metamorphosis reimagined the space beyond the proscenium
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
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Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
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“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
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A Theatre of Elsewhere
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
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Belvoir’s “The Master and Margarita:” Astonishingly Ambitious, Physically Demanding, and a Resounding Success
Russian writer Mikhail Bulgakov’s cult novel The Master and Margarita has inspired many artists....
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Prison Shakespeare at Milan’s Young Offenders Institute
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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Translating the Act: Kenyan Producers Keeping Indigenous Languages in Auditoriums
In recent years, there has been a growing movement towards promoting and preserving indigenous...
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AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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Akarsh Khurana’s Play “The F Word” Is A Darkly Comic And Relatable Dive Into Family Complexities
The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...
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“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
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“Interview with Ukrainian Actor Orest Pastukh”
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
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Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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“The Interview,” Park Theatre
Journalism is a despised profession. And when you consider the story behind the interview that...
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“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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