Interview With Ulviyya Heydarova
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
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“Habitat” by Doris Uhlich: Performing a Landscape of Naked Bodies
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
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Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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I Can’t Imagine Anybody Would Come Out Of “On The Beach” And Not Hold Their Loved Ones Just That Little Bit Closer
Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...
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“Beneatha’s Place,” Young Vic
Trauma is the source of identity politics. In the case of African-Americans, the experience of...
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Egypt Joins Jordan’s Open-Space Theatre Festival
Egypt is represented by one play and a jury member at the second edition of Jordan’s...
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Craft of “Downton Abbey” and “Gilded Age” Director, Michael Engler
American television and film director Michael Engler is extraordinarily skilled at both comedies...
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“Kiss” at the Wilma Theater
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
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Doulas as Resistance: The Anthropologists’s “axes, herbs and satchels”
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
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Stephen Brown And Mark Rylance’s “Dr Semmelweis” At The Harold Pinter Theatre
Today’s obvious was most likely yesterday’s incredible. This is the conceit at the heart of Dr...
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Monsters, Mayhem, and Maturation: “The Trouble with Dead Boyfriends” at the Players Theatre
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
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“Notre Dame de Paris”: Frollo’s Inner Struggle. An Exclusive Interview with Daniel Lavoie
It has become a beautiful annual tradition: welcoming the musical Notre Dame de Paris at New York...
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“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
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“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part I)
A personal interview with the visionary and multi-talented Matthew C. Yee reveals exclusive...
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Eugene Ma Wants to Shake Up Hong Kong Theater
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
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Sarah Middleton’s “Shewolves” at the Southwark Playhouse: Energetic Teen Fairy Tale
Climate-change activist Greta Thunberg is great at doing two things: irritating complacent adults...
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James Graham’s “Dear England” At The National Theatre: Joseph Fiennes Plays A Mesmerizing Soccer Manager In This Sport-Of-The-Nation Drama
James Graham’s Dear England at the National Theatre: Joseph Fiennes plays a mesmerizing soccer manager in this sport-of-the-nation drama
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A Beloved Chinese Classic Gets a Weightless Adaptation
Kunqu opera has made a commercial comeback over the past two decades, but a recent adaptation of...
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On China’s Broadway, IP Is King — For Now
The pandemic was unusually kind to China’s musical theater scene, but an obsession with...
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Martin McDonagh’s “The Pillowman” at the Duke of York’s Theatre
Martin McDonagh is perhaps better known today globally for his recent accomplishments on screen as...
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