Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and AI, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Trevor Boffone | 24th Nov 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MorePosted by Sruti Bala and Rashna D. Nicholson | 22nd Nov 2023 | Education, India, Theatre and Politics
What is the task of a humanities education? The following incident, which recently took place in...
Read MorePosted by Neeraja Murthy | 21st Nov 2023 | Adaptation, Devised Theatre, India
An ensemble of around 18 actors takes the stage this weekend in Hyderabad to present three plays...
Read MorePosted by Kaggwa Andrew Mayiga | 20th Nov 2023 | Festivals, News, Uganda
The Kampala International Theatre Festival (KITF) will open on November 22 in Uganda. This will be...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by David Turner | 20th Nov 2023 | Documentary Theatre, Review, United Kingdom
Dear England, a play about football manager Gareth Southgate, immaculately encapsulates the light...
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Verity Healey | 13th Nov 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read MorePosted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MorePosted by Lisa Monde | 9th Nov 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MorePosted by Verity Healey | 8th Nov 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read MorePosted by Verity Healey | 6th Nov 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read MorePosted by Vanessa Tomassini | 6th Nov 2023 | Festivals, Tunisia
The curtain rises on the first edition of the Tunisian National Theater Festival. “Les...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Kirk Dodd | 5th Nov 2023 | Australia, Review, Theatre and Gender
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
Read MorePosted by Verity Healey | 2nd Nov 2023 | Kosovo, Review, Theatre and Politics
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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