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What Can I Say?

Posted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America

Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...

Jez Butterworth’s “The Hills of California” at the Harold Pinter Theatre: Warm Evocation of 1950s Pop Culture Is Fun, But Lacks Dramatic Resolution

Posted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom

In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...

On the “POTUS” Trail with Bekah Walsh

Posted by Trevor Boffone | 10th Feb 2024 | Theatre and Gender, Theatre and Politics, United States of America

Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...

Rage and Fury: Calixto Bieito Stages Aribert Reimann’s “Lear” at the Teatro Real Madrid

Posted by Maria Delgado | 8th Feb 2024 | Review, Spain

Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...

Alaa Abdel-Aziz, Playwright, Former President Of Cairo Int’l Fest For Experimental Theatre, Dies

Posted by Ati Metwaly | 7th Feb 2024 | Egypt, Festivals, News

Egypt’s renowned theatre academic and former president of Cairo Int’l Festival for...

“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile

Posted by Maria Delgado | 6th Feb 2024 | Review, Spain

There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...

A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals

Posted by Maria Delgado | 6th Feb 2024 | Chile, News, Santiago a Mil 2024

Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...

Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine

Posted by David O'Donnell | 5th Feb 2024 | Documentary Theatre, New Zealand, Theatre and Age

In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...

“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s

Posted by Rhiannon Ling | 5th Feb 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide

For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...

Phillip Luswata: A Career Onstage and Behind the Scene

Posted by Kaggwa Andrew Mayiga | 4th Feb 2024 | Directing, Essay, Uganda

Phillip Luswata – “the one from Uganda” The first time I learned about Phillip Luswata was on a black and white TV. Then, he was a guest on the South African evening daily soap, Egoli: Place of Gold. His cameo had received such...

Sam Holcroft’s “A Mirror” at the Trafalgar Theatre

Posted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom

“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...

Disability Representation and the Rise and Fall of How to Dance in Ohio

Posted by Morgan Skolnik | 3rd Feb 2024 | New York, Review, Theatre and Disability, United States of America

On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...

Zoe Cooper’s Northanger Abbey at the Orange Tree Theatre: High Energy and Queer-eyed Adaptation of Jane Austen Classic

Posted by Aleks Sierz | 31st Jan 2024 | London, Review, United Kingdom

Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....

Long and Short Hatreds

Posted by Jonathan Kalb | 31st Jan 2024 | Review, Theatre and Politics, United States of America

Joshua Harmon’s Prayer for the French Republic is a very good play about anti-Semitism that left...

TheTheatreTimes.com: Towards Transnational Digital Infrastructure

Posted by Magda Romanska and Kasia Lech | 27th Jan 2024 | Editorial, Essay, Worldwide

Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both...

Creativity on the Edge, Communication with the Centre, and Conversations about the Future

Posted by Miriam Haughton and Patricia O’Beirne | 27th Jan 2024 | Design, Essay, Ireland, Producing

Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...

Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.

Posted by Ivanka Apostolova Baskar | 26th Jan 2024 | Germany, Interview, Theatre and Art, Theatre and Gender

Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...

Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil

Posted by Maria Delgado | 24th Jan 2024 | Chile, Review, Santiago a Mil 2024

Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...

Design Writing: Five Views of Sarah Ruhl’s “Eurydice”

Posted by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos | 24th Jan 2024 | Design, Essay, United States of America

Introduction by Michael Schweikardt Student designers at San Francisco State University’s School...

“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit

Posted by Antonio Hernández Nieto | 23rd Jan 2024 | Playwriting, Review, Spain

Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...

Latest

What Can I Say?

Jez Butterworth’s “The Hills of California” at the Harold Pinter Theatre: Warm Evocation of 1950s Pop Culture Is Fun, But Lacks Dramatic Resolution

On the “POTUS” Trail with Bekah Walsh

Rage and Fury: Calixto Bieito Stages Aribert Reimann’s “Lear” at the Teatro Real Madrid

Alaa Abdel-Aziz, Playwright, Former President Of Cairo Int’l Fest For Experimental Theatre, Dies

“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile

A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals

Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine

“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s

Phillip Luswata: A Career Onstage and Behind the Scene

Sam Holcroft’s “A Mirror” at the Trafalgar Theatre

Disability Representation and the Rise and Fall of How to Dance in Ohio

Zoe Cooper’s Northanger Abbey at the Orange Tree Theatre: High Energy and Queer-eyed Adaptation of Jane Austen Classic

Long and Short Hatreds

TheTheatreTimes.com: Towards Transnational Digital Infrastructure

Creativity on the Edge, Communication with the Centre, and Conversations about the Future

Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.

Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil

Design Writing: Five Views of Sarah Ruhl’s “Eurydice”

“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit

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