Munby’s “Crucible” Speaks To Societies Built On Fear
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
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A Political Horseplay
“A Play with Four Actors and Some Pigs and Some Cows and Some Horses and a Prime Minister and a...
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Nassim, A Breeze From Iran that Stirred Global Theatre Scene
Playwright Nassim Soleimanpour grabbed the attention of international theatre community by his...
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Picasso’s Muse Jacqueline Resurrected in “Last Night in Madrid” by Moldovan Troupe
Eugene Ionesco Theatre of Moldova participated in the 23rd Cairo International Festival for...
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Iraqi Play “Pillars of Blood” Reveals Memories of The War-Torn Country
A physical theatre play titled Pillars of Blood (Piliere Krvi) will be performed by Iraqi...
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Shanghai Jingju Theatre Company’s “Hamlet” in Chicago
Internationally renowned Shanghai Jingju Theatre Company transforms Shakespeare’s Hamlet...
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Chinese “Thunderstorm” Brings a Haunting Past to Egypt’s Contemporary Theatre Festival
On Tuesday, 20 September, the theatre play Thunderstorm, directed by Chen Dalian and performed by...
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The OzAsia Festival Is Young And Confident – Here Are the Shows to Watch
The formal launch of the OzAsia Festival’s visual arts program at the Adelaide Festival Centre...
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Sander Veenhof: Staging Audience Against Isolation
Sander Veenhof is a hands-on futurist, creating interactive experiences to explore scenario’s for...
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The 23rd Cairo International Festival for Contemporary and Experimental Theatre
The 23rd Cairo International Festival for Contemporary and Experimental Theatre kicked off on 20...
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“Black & Blue” by Kevin Demoan Edwards: A Theater Review
Black & Blue, the first full-length play by writer/producer Kevin Demoan Edwards, takes on the...
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Kabuki’s Bando Tamasaburo V Takes Kodo Drum Troupe In An Artistic New Direction With “Spiral”
To celebrate its 35th anniversary, the internationally renowned Kodo drumming troupe staged three...
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Taylor Mac, Patriot: “A 24-Decade History of Popular Music”
Taylor Mac calls his extraordinary theatrical marathon, five years in the making, A 24-Decade...
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“I Am Not a Nazi, But…”- Plays on the Swing to the Right
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
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“Vandichodai” – The Concluding Play of The Hindu Theatre Fest
Vandichodai by Koothuppattarai is all about deep philosophy and questioning societal norms. The...
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Rwanda’s “Radio Play” Brings Focus on Censorship to Egypt Theatre Festival
Brought by Amizero Kompagnie from Rwanda, Radio Play will be staged within the ongoing 23rd Cairo...
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“Moliere” by Polish Troupe To Be Staged in Cairo
The troupe Teatr Animacji will take part in the ongoing 23rd Cairo International Festival for...
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The Avignon Festival Chronicles Part II
As an actress and theatre practitioner myself, I had always dreamt about coming to Avignon....
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Finding The Balance: Scotland Aims For 50/50 By 2020
Scotland’s five centrally funded performing companies make formal pledge to achieve a 50/50 gender balance across their boardrooms by 2020.
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Theatre Review: “The Wawel Dragon”: Unleash Your Inner Child…
The theatre company Gods and Monsters and directors Nastazja Domaradzka and Phil Willmott have...
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