Adapting for Transmedia – Part II
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Partha Sarathi Gupta | 21st Apr 2017 | India
Philosophical deliberations upon the relationship of literature with theology have become...
Read MorePosted by Clement Lee | 21st Apr 2017 | Hong Kong
Theatre du Pif’s devised work on Seneca’s Oedipus, with the English version by Ted Hughes, is the...
Read MorePosted by Tobi Adebowale | 20th Apr 2017 | Musical Theatre, Nigeria
Fela Anikulapo-Kuti probably belonged to a class of the society – the poor and those who...
Read MorePosted by Soha Elsirgany | 20th Apr 2017 | Egypt, Theatre and Gender, Theatre for Young Audiences
The play Untangled (Hal El-Dafayer) was staged at Cairo’s Hosapeer Theatre last week, where...
Read MorePosted by Veronica Stewart | 20th Apr 2017 | Argentina, Directing, Interview
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
Read MorePosted by Diwan Singh Bajeli | 19th Apr 2017 | India, Theatre and Gender
Rajesh Babbar’s Life…A Bitter Truth emphasizes the need to fight against oppression to...
Read MorePosted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
Read MorePosted by Marcina Zaccaria | 19th Apr 2017 | New York, Theatre and Opera, United States of America
Creators of The (R)evolution of Steve Jobs appeared at the Guggenheim to discuss the creation of...
Read MorePosted by Florian Malzacher | 18th Apr 2017 | Germany, Participatory Theatre, Theatre and Politics
Suddenly there is this persistent call for an art that is useful, for direct commitment, for...
Read MorePosted by Alice Jones | 18th Apr 2017 | Theatre and Gender, United Kingdom
In the airy sitting room of a nice house, a group of friends are catching up over a glass of wine....
Read MorePosted by Margaret Drummond | 17th Apr 2017 | Review, Romania
What do we mean by “home?” This is the central question posed by Romanian playwright...
Read MorePosted by Natasha Joseph and Chris Thurman | 17th Apr 2017 | South Africa, Theatre and Decolonization, Theatre for Young Audiences
South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...
Read MorePosted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
Read MorePosted by Paul Megna | 16th Apr 2017 | Australia, Worldwide
In 1985 Filipino carpenter Ruben Enaje fell three storeys and remarkably, survived. To give thanks...
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by The Theatre Times | 16th Apr 2017 | Egypt
The highly anticipated Arabic stage adaptation of Elif Shafak’s bestselling novel The Forty Rules...
Read MorePosted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
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