What Is The State of New Plays in Contemporary China?
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
Read MorePosted by Nina Huang | 18th Oct 2017 | China, Essay, Playwriting, Producing
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
Read MorePosted by Nobuko Tanaka | 18th Oct 2017 | Festivals, Japan
At the end of his speech in July announcing details of this year’s Festival/Tokyo running from...
Read MorePosted by Aida Rocci | 18th Oct 2017 | Iran, Playwriting, Review
Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.
Read MorePosted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
Read MorePosted by May Selim | 17th Oct 2017 | Egypt, Festivals, Review, Theatre and Gender
Ten out of 20 plays at this year’s Cairo International Festival for Contemporary and Experimental...
Read MorePosted by Aleks Sierz | 17th Oct 2017 | Dramaturgy, London, Review, United Kingdom
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
Read MorePosted by Jonas McLean | 16th Oct 2017 | Canada, Festivals, Review
Jonas McLean catches the first weekend of Ottawa’s Fresh Meat Fest, a self-described “playground”...
Read MorePosted by Katie Grant | 16th Oct 2017 | Theatre and Science
Going to the theatre can stimulate a person’s cardiovascular system as much as doing nearly half...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Julian Meyrick | 15th Oct 2017 | Australia, Playwriting
Two of Australian theatre’s most celebrated artists are scientists. Their CVs may not be...
Read MorePosted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
Read MorePosted by Mathias Daval | 15th Oct 2017 | Festivals, United Arab Emirates
A report on the 14th edition of the Abu Dhabi Festival.
Read MorePosted by Marcina Zaccaria | 14th Oct 2017 | Festivals, New York, Theatre and Opera, United States of America
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
Read MorePosted by Karel Vanhaesebrouck | 14th Oct 2017 | Belgium, Playwriting, Transcultural Collaborations
How are we to live together in this day and age? Jan Lauwers, the ‘first among equals’ at...
Read MorePosted by Edélcio Mostaço | 13th Oct 2017 | Brazil, Theatre and Politics, Uruguay
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
Read MorePosted by Kate Bredeson | 12th Oct 2017 | Dramaturgy, France
The cover image of the January 1986 special issue of Théâtre/Public, “Dramaturgie,” offers a...
Read MorePosted by Trevor Boffone | 12th Oct 2017 | Dallas, Musical Theatre, United States of America
While I grew up around musical theatre, I certainly didn’t grow up around Hair. “Oh, What a...
Read MorePosted by Gavin Robert Walker | 11th Oct 2017 | Musical Theatre, South Africa, Theatre and Politics
After an absence of over half a century, the courageous musical King Kong has smashed its way back...
Read MorePosted by Diane de Beer | 11th Oct 2017 | Musical Theatre, South Africa
It’s about time but perhaps that’s what was needed to do justice to such an iconic show. What King...
Read MorePosted by Andrew Eggert | 10th Oct 2017 | Dramaturgy, Theatre and Opera, United States of America
The successful development of new work for the opera stage is a complex and often elusive process....
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